Living with the heart of a folklorist

I have always worked under the assumption that the conversations, communities, and contexts of folklore can take their place as key players in the social sciences and in the world of practitioners in areas from design to conflict transformation.

I have consistently looked to folklore/tradition studies as a way to ground my social, cultural, political, and economic analyses, believing that, at heart, folklore can be an exploration of the art of being human. In this, I find folklore to have much affinity with transdisciplinary areas like social ecology.

Throughout my career I have been developing what I term a “critical vernacular ecology.” I have developed my critical vernacular ecology approach on the basis of four axioms:

  1. Vernacular (e.g., informal, non-institutional, tacit) culture tends to be theoretically illegible and discursively invisible within the orthodoxies of the social and political sciences – it has consistently been one of the roles of Folklore to redress this illegibility;
  2. Nevertheless, both the historical and contemporary study of vernacular culture provide fertile sources for new, relevant, and integrative cultural, social, political, and policy insight into the possibilities of human flourishing and the art of being human, for now and for the future;
  3. Vernacular culture also provides keys to understanding and addressing the dynamics of particular kinds of expansionary, intensifying, and generally negative cultural, social, and political change;
  4. Realising the theoretical and practical potential of vernacular culture as a tool in culture change, social and political action, cultural sustainability, and intergenerational learning requires the development of new theory from old wisdoms to make the transformative possibilities of vernacular life theoretically legible, discursively visible, and politically relevant. As folklorists, we are well placed to develop these new theoretical perspectives.

At the heart of this is the development of a political theory of transformative action emerging from a theoretical exploration of what I call ‘ordinary ethics’ (e.g., gentleness, kindness, hospitality, trust, compassion, generosity). I think as folklorists we get to hang out with the experts in ordinary ethics, and occasionally even practice such ethics ourselves. That matters, I think, more than we have imagined thus far.

In truth, I believe that the experience of folklorists and, more importantly perhaps, the people we work with, opens a window to the best of political possibility in its broadest sense, raising the quieter people to a position of respect, listening to people who do not tend to be listened to, and valuing gentle strength.

In passing, when I say ‘theory’ I mean ‘thoughtful practice’, in two main ways:

  • working to better understand what happens in order to reduce the possibilities of coercion, violence, domination, and oppression in this and future generations;
  • working to better understand what happens in order to increase the possibilities of optimal human flourishing in this and future generations.

Folklore, for me, includes explorations of creativity, entrepreneurship, power and politics, cultural sustainability, policy, education and learning, complexity, emergence, presence, parenting, community, quality of relationship, trust, generosity, hospitality, innovation, culture change, conflict transformation, poverty, indigenous politics, and much more more. Many of the key concerns in folklore are also key issues, questions, and themes in cutting-edge education, management, leadership, politics, design, activism, environmentalism and so on. If folklore as a discipline isn’t respected as a key contributor within the political and social sciences, it should be, but for that to happen we need to always find new ways to restate old wisdoms, to declare the relevance of what we do in ways that matter.

I think it is important for folklorists to have confidence in their place in the bigger picture, wherever they are, however they are employed or not employed. I don’t think living with the heart of a folklorist has very much to do with our position (or not) in an administrative structure. I think it can be an invitation to the heart of what it can mean to be human, a communicated invitation to others to continually reimagine their own possibilities for being human, and a clarion call for dignity and a deeper humanity. The folklorists I admire are people who care about people, who continually remember and testify to what human decency means. The folklorists I admire understand that the notion of ‘applied’ folklore is superfluous to requirements. Either we make a difference or we don’t. I assume that we always do.

What might I like my kids to learn about life?: in search of “tradition”.

2011. Journal of Ethnology and Folkloristics 4(1):75-92

“Our study must push beyond things to meanings, and grope through meanings to values. Study must rise to perplex and stand to become part of a critical endeavour. We study others so their humanity will bring our own into awareness, so the future will be better than the past” (Glassie, 1995:xiv). 

Personal Prologue [1]
“I rhyme to see myself, to set the darkness echoing” (Seamus Heaney, ‘Personal Helicon’, 1966).

My father passed away last year [2008]. As I think on his passing, I find myself reaching out to understand what it has meant to be a son. What it still means. I find myself searching for words to express what I learned from the man I loved as a friend and mentor. I look for ways to speak about those things that I hold dear. I try to find better words to talk about the helpful things I have learned in the company of my parents, my family, my friends. I wonder how to think more clearly about the things I love about life. I wonder how to make sense of those ways of being human that I would hope any future kids of mine to learn about. I find myself looking for ways to speak of learnings, unlearnings, and relearnings. I find myself looking for ways to speak of the connections and the distances that persist between me and others, the play of influences in our lives, the ways we can always-already make a difference. It seems to me that “tradition” is a notion that may well be suited to speak of such things.

I remember talking to the accordion player Billy McComiskey about his sense of tradition, about why playing his accordion with those tunes, in those ways, was so important to him. “It gives me strength against oppression,” he said, “It keeps me warm at night”. That made sense to me. Another time I was chatting over a drink with a couple of women from County Clare about the bitterness of a copyright dispute over tune ownership in Irish traditional music. The elder of the two, likely in her seventies, got very emotional, almost to the point of tears, as she struggled to express how wrong it all felt to her, saying, “It bites to the core of what it’s all about.” That made sense to me, too. These are people for whom the notion of “tradition” means something. I want it to continue to mean something for me. Or, to put it another way, there are people, values, and things in my life that mean something, that are important to me, that strengthen me in my sense of who I am and how I relate, and I think “tradition” is one of those words (among many) that can allow me to speak and think more clearly about this. “Tradition” is a word that can open up conversations I want to be part of.

Or is it? As much as “tradition” feels right to me on a deep, emotional level, I am aware of the shadowy, grappling gravities of certainty, ritual, obligation, belonging, memory, community, blood, and nation that come with my own and others’ understandings of “tradition”, and they leave me suspicious. “Tradition” can wield considerable emotional power; I have learned to identify those places of strongest emotion within myself and to start my questioning there.  I have come across uses of the term that make me angry; “tradition” and “traditional” can be easily deployed as ways to sanctify, segregate, categorise, denigrate, and exclude. I have come across uses of the term that leave me cold, satisfying the exigencies of academic analysis, allowing for grand, abstract statements that seem to have little connection to the lives of real people. I have come across uses of “tradition” that satisfy the bluster of rhetoricians, meaning little beyond the demands of a soundbite.

With all of my suspicions and misgivings, though, I keep coming back to “tradition”. I keep returning to clarify, to re-articulate, to grapple with meanings of the term, because I have a feeling there is something valuable there. The notion of “tradition”, at least in the English language, tends to be deployed academically in the company of verbal shadow-play concerning, among other things, identity, everyday life, customs, community, intergenerational relationship, and social change. That said, how has the notion of “tradition” become so marginalised within the social sciences and humanities? How has it happened that many understandings of “tradition” have become so profoundly depoliticized that they are frequently considered to offer little of relevance to social and political thought? How is it that folklore studies and ethnology are not explicitly considered co-extensive with sociology? Is there something inherent in the notion of “tradition” that leaves it ill-suited as an analytic term for social and political analysis? I would think not, but it seems to be a bit of an uphill battle.

In thinking about “tradition”, I take inspiration from other people who write from various perspectives in feminisms, anarchisms, anthropologies, postmodernisms, poststructuralisms, and postcolonialisms as they struggle to reconfigure their experiences of meaning, writing against the grain of sedimented orthodoxies (e.g., Foucault 1972, 1980, 1990, 1991; Cixous 1980; Graeber 2007; Heckert 2005; Flax 1992; hooks 1989; Behar 1996; Stoller 1989, 1997; Tuhiwai Smith 1999). So many institutionally legitimated perspectives continue to encode deeply misrepresentative and enclosing understandings of what it might mean to be human. So many of the workaday notions that we leave unchallenged invite us, persuade us, to be less than we can be. So many of the ways of thinking we accept as adequately descriptive of our worlds and our experiences come from deeply partial perspectives that are not truly resonant with our own; perspectives that distance us from the possibilities of our lives even as we use them to live those lives.

 

In search of “tradition”

We can always become more accountable and responsible for our uses of the term “tradition”, and for our processes of “traditioning”. I’m very fond of something that Sunday Business Post journalist Tom McGurk once wrote, in the context of a discussion of the term “traditional”; “While it doesn’t matter what you call it, it does matter what it is supposed to mean” (1995:25). In inviting more accountability and responsibility it helps to start with myself. What do I mean by “tradition”, if I am going to use it at all? What are the qualities of attitude and relationship that are implied by my particular deployments of “tradition” as a term? What kinds of conversations would I like the term to open up for me? If I were to consider it as a signpost, what conversations, communities, and contexts might it point to?

Theoretically, “tradition” might be considered a messy tool to work with. It is easy to fall into semantic defeatism. Shanklin writes; “Like culture, the term tradition has been used so often and in so many contexts that, as Shils (1971) suggests, it may not have any meaning at all” (Shanklin 1981:86). The complaint that “tradition” suffers from an irremediable surfeit of meanings, from that dreadful academic disease of polyvalency (Ben-Amos 1984:125), doesn’t concern me much here – I assume that multiple meanings will be an issue wherever there are multiple people, which I hope is pretty much everywhere. McDonald (1997:47) has noted that a number of scholars would be keen to be rid of the term “tradition” altogether, eager to claim that the term has little heuristic value, declaring that the notion of “tradition” leaves us with little room for sustained and sustainable analyses.

I’m not ready to give up on it altogether, though. In this essay I am “in search of “tradition”.” I am exploring the notion to come to an understanding that for me will be personal, meaningful, and analytically helpful. I want to be able to work with an understanding of “tradition” that allows me to make sense of my relationship with my father and his death as much as it helps me to make sense of the conversations, communities, and contexts of, say, “Irish traditional music”. I want to be able to think of the notion of “tradition” as a way to ground myself in socially responsible action, as a way to facilitate thoughtful analysis and political engagement, as others have explored (e.g., among many, Abrahams 1993; Glassie 1993, 1995; Mills 1993; Paredes 1995; Siikala et al 2004).

Lynne Tirrell has written that; “When women try to articulate our lives, what we try to give is more like an account than a definition. We try to tell true stories about who we are, what we know, what the world has been like for us, and what we would like to see it become” (1993:11). In a similar sense, I do not seek to offer a definition of “tradition” here, but rather present a brief account of my attempts to use the term “tradition” as a catalyst for thinking about social action and social interaction. I try to think about definitions as descriptions of some uses of a term (offered by particular people in particular places), not prescriptions for all uses (applicable to all people in all places). I suppose this article is more the beginnings of a project of clarification and self-explanation. I am not interested in what “tradition” is. I am interested in what “tradition” can mean.

A wish-list

My clarification process rides the tension between the questions, “What’s important to me?” and, “What would I like to be important to me?” In this spirit, I have compiled a wish-list for my understanding of the term “tradition”. This list gives some indication of the conversational work that I would like my understanding of “tradition” to perform.

I join Dell Hymes (1975) in thinking of “tradition” as rooted in social life, in noting that the “traditional” can begin with the personal. I like when Barry McDonald writes, “I consider tradition to be a human potential that involves personal relationship, shared practices, and a commitment to the continuity of both the practices and the particular emotional/spiritual relationship that nurtures them” (McDonald 1997:60). I join Craig Calhoun when he asks that “we go still further beyond the Enlightenment’s historicist opposition of tradition to modernity and see tradition as grounded less in the historical past than in everyday social practice” (1983:888).

I’d like to work with an understanding of “tradition” that can be always-already ethical. I don’t mean in terms of absolutes of right and wrong, or in terms of moral authority. I mean ethical in the sense that we can become more accountable and responsible for our part in the play of influences in each other’s lives. What can we learn from any situation with regard to what it might mean to be human, and with regard to the context of withness in which we always-already operate? How might an understanding of “tradition” open up conversations about the personal as the political? (e.g., Mauzé, ed. 1997; Langellier 1989; Ritchie 1993; Lee 2007; Peavey 1986, 2000).

It is in this sense that I’d like my understanding of “tradition” to facilitate broad discussions about different qualities of learning, education, and pedagogy. “Tradition” can open up conversations about the constitution and co-construction of social identities. On the one hand, I would like my understanding of “tradition” to leave the door open for discussions of “symbolic violence” and “pedagogic authority” (Bourdieu and Passeron 1990), and of the control, legitimation, and institutionalization of objectified meanings (Berger and Luckmann 1966). On the other, I’d like my understanding of “tradition” to invite me into conversations about possibilities of transformative learning, including feminist pedagogy (e.g., Lynda Stone, ed. 1994; Luke and Gore, eds. 1992), critical pedagogy (e.g., Paolo Freire 1998; Ivan Illich 1971), local and informal education (e.g., Smith 1994), and anarchist pedagogy (e.g., Matt Hern, ed. 2008; Jensen 2004).

I’d like to join Henry Glassie in thinking that “tradition” can open up a conversation about learning and futures, and about relationships with those who have passed, those who are here, and those who are yet to come:

“It is a rich word, lacking an exact synonym, naming the process by which individuals simultaneously connect to the past and the present while building the future. So tradition can label the collective resource, essential to all creativity, and in adjective form it can qualify the products of people who keep faith with their dead teachers and their live companions while shaping their actions responsibly” (Glassie 1993:9)

Glassie offers no definition here, and I think that’s the point. In my experience, defining tends to close conversations down, and what Glassie is trying to do here is open a conversation, announce what might be considered an ecological orientation – Glassie’s conversation about “tradition” is also a conversation about distinctly interconnected and helpful relationships.

For Barre Toelken, too, “tradition” seems to speak to the differences that the past, the pre-sent, can make on our present, personal lives: “Tradition is here understood to mean not some static, immutable force from the past, but those pre-existing culture-specific materials and options that bear upon the personal tastes and talents.” (1996:10). Implicit in this is the continuation of such a process in future lives. But Toelken’s understanding of “tradition” here doesn’t require that “tradition” be considered always-already helpful or salutary.

I don’t want to find myself in a situation where I champion “tradition” as an unqualified good, and neither do I wish to denigrate “tradition” as an unqualified bad. In any particular context of use, I’d like to lift up the term and look underneath it, to gauge the attitudes and meanings experienced by the people concerned. I’d like my understanding of “tradition” to remain context-sensitive, something perhaps most notably invited by Paredes and Bauman’s collection New Perspectives in Folklore (1972). Another way of saying this is that I’d like my conversations about “tradition” to remain always-already “peopled”, with a wish that they would actively let me work against depeopling abstractions.[2]

I’d like to eschew discussions about “tradition” that come without contextual or adjectival qualifiers. Adjectives can uncover the attitudes behind meanings, and can thereby uncover the presence and participation of people in the construction and maintenance of particular understandings of “tradition”. In mind of Ben-Amos (1971), I want to ask: What kinds of “tradition”? Whose “traditions”? When? Where? How? Why? With what effects? Without an understanding of “tradition” that involves people, psychologies, interactions, and relationships, it would be hard for me to make sense of my own life in terms of “tradition” at all.

In this sense, I want to work with an understanding of “tradition” that leaves me nowhere to hide. I want to work with an understanding of “tradition” that challenges me to remain transparent to myself in my specificity. Can it invite me to consider the quality of relationships that I experience with others? Can it support me in considering the ways I or others influence each other or always-already make a difference? Can it sink me deep into conversations about consequences and effects of power? Importantly, can it make visible aspects of life that I or others might wish to suppress, deny, denigrate, or silence?

I want to work with an understanding of “tradition” that keeps conversations open enough to encompass the whys and wherefores of “traditions of hate”, “traditions of prejudice”, and “traditions of killing”. It is important that the more toxic possibilities of being human get included in the discussions that “tradition” can open up. Does it make sense to celebrate such practices (e.g., militarism) because they are “traditional”, and thereby inherently good? Should we treat them with a casually descriptive empiricism, and bask in the glow of academic self-satisfaction? I don’t want my understandings of “tradition” to immunize me against consideration and critique of our most toxic possibilities. The notion of “tradition” is of little use to me in scholarly analysis unless it can prise open the cans of worms, provide a GPS-location device for the elephants in our rooms, and support and encourage the wisdom of the child who proclaims the nakedness of the emperor.

Words of caution 

Dan Ben-Amos (1984:118), following Richard Bauman, draws attention to the ways that the agencies of “tradition” are often located somewhat externally to human beings and human relationships, as conversations about independent, reified forces and forms. There are two workaday approaches to “tradition”, in this regard, that I will remain cautious about. The first is the use of discourses of resource management in descriptions and explanations of “tradition” and processes of “tradition”. The second is the common characterization of “tradition” as prescriptive invariance. Resource-management and prescription-invariance approaches to “tradition” do us few favours, serving to depoliticise the conversational terrain, and fostering and facilitating damagingly reductionist stories about what it might mean to be human.

Resource management

Notwithstanding the subtleties of multidisciplinary conversations about “tradition” (see, e.g., Bronner 2000; MacDougall 2004; King-Dorset 2008; Fisher 1993), resource management discourses still constitute a very common class of conversations about “tradition” in academic writing (see, e.g., Shils 1981; Honko 1991; Vansina 1965, 1985).[3] Metaphors, allegories, and narratives of identification, delivery, passing on, handing on, inheritance, collection, containment, extraction, use, access, control, ownership, allocation, storage, inventory, preservation, adaptation, and dissemination abound (see, e.g., Grieve and Weiss 2005). “Tradition” in such conversations can easily come to be thought of in terms of transactable, storable, or manipulable units or commodities.

Subsequently, resource management conversations about “tradition” tend to fit snugly into the conduit metaphors (Reddy 1979) of communication models of “transmission”. “Transmission,” in many of these formulations, can well be reconsidered as one-way (primarily intergenerational) transactions, whereby people become merely the conduits for the more or less efficient delivery of knowledge from the past to the present and on to the future.

In my reckoning, resource management approaches to “tradition” tend to embed clunky metaphors that may well be fine for casual conversation but which can be quite misleading if naturalized in the process of analysis. In very basic terms, I wouldn’t say that any thing ever passes across space between people when we are talking about songs, tunes, poems, stories, or knowledge. To say that there is something that is “passed on” seems to act as metaphorical shorthand for a far more subtle process of learning and presence and interpersonal alignment that takes place. But to stay with the shorthand, to accept the notion of “passing on” as a naturalized description of transactions, seems to me to invite limits to our imaginings about learning contexts, and also of the possibilities of “tradition”. “Passing on” or “handing on” seem to merely embed an acknowledgement of connectedness without leaving much analytic space for the qualities of that connectedness. This is not necessarily the case, of course; there are many people who live richly connected lives for whom “tradition” as “passing on” makes a lot of sense, and there have been many studies grounded in notions of “transmission” and “passing on” that provide rich socio-cultural analysis (e.g., McCoy, ed. 1989).[4] It’s not that I’m trying to eradicate such terminology from my work or my life (and certainly not from anyone else’s), it’s just that I think I need to be vigilant about the subtle weightings and gravities that might steer my analysis away from a desired primary focus on learning, relationships, and ethics.

Tunes, songs, stories, or information can easily be considered in terms of their abstracted, formal, characteristics. Once abstracted, it is very easy to consider them as resources, and it is very easy for the abstractions to be reinforced by the materiality of texts, manuscripts, and recordings. When the going is good, the resources often get well cared for, well stored, well considered. Even then, however, the people from whom the resources were extracted, the stories of their lives and the vast array of what’s important to them, or adequate appraisal of social and political context, can easily come a distant second, if they get considered at all, as evidenced by vast quantities of published tune, song, and story collections. A mere suggestion of biography and humanity might well be taken as a radical move in the face of all those published collections of stuff where people seem to have been sucked out from between the pages to leave a more conventional and pervasive inhumanity. All too easily, people become merely “tradition-bearers”, the containers of resources and the conduit-facilitators of transmissional transactions. All too easily, talking to people about what’s important to them in their lives becomes “collection”, conceived of as the resource-extraction of raw materials. All too easily, speaking about cultural reservoirs or the heritage of the past becomes a way to usher in what I have elsewhere called a phantom nationalism (see McCann 2010 fc), as imagined storage facilities buttress imagined communities (Anderson 1991).

Prescriptive invariance

A second memo-to-self about “tradition” concerns the frequent equation of “tradition” with some sense of prescriptive invariance. Handler and Linnekin have written that “tradition cannot be defined in terms of boundedness, givenness, or essence” (1984:273). Of course it can be. All it takes is for someone to define “tradition” in this way. Not only that, but I would suggest the assumption that “tradition” refers to some sense of prescriptive invariance is still quite a common one, offering “rule-governed models that inculcate behavioral values and norms in such a way as to make those practices, values, and norms, even and especially those of relatively recent origin, appear continuous with the past” (Grieve and Weiss 2005:10). Perhaps the two most influential statements characterizing “tradition” as prescriptive invariance are offered by Weber (1921/1968), and Hobsbawm and Ranger (1983). These are not views of “tradition” that I am going to embrace wholeheartedly as a political position.

Needless to say, both of these positions are coming from critiques of “tradition”. Negatively coloured prescriptive-invariance understandings of “tradition” offer little room for agency, and little middle ground. On the one hand, the iron cage of tradition, on the other, freedom. Another option, static “tradition” faces off against gloriously dynamic modernity; or thoughtless “tradition” falls before progressive rationality. Whichever you choose, when prescriptive invariance is being critiqued in analyses of “tradition”, it is hard for “tradition” to come off as anything but second best. These understandings of “tradition” tend to be premised on the eternal victory of the Other of “tradition”. This is not going to help me much.

Prescriptive invariance is also to be found in the promotion and promulgation of “tradition”. In such situations, adherence to “tradition” can mean “an orientation towards an imagined timeless community, borne of the desire to submerge one’s personal identity into a larger community that transcends that individual” (Grieve and Weiss 2005:3), “a commitment and a duty to a community that existed in the past, exists in the present, and will continue to exist as long as its members do not abandon it” (ibid.). Often framed as “traditionalism”, this kind of approach easily conforms to what might be termed “traditional closure”, whereby ”tradition” comes to assume for people the character of an unqualified good. This tends to effect an apparent separation of “tradition” and, in particular, “traditional” teachings, from the contingencies of social and political life, allowing “tradition” to appear autonomous, value-free and politically-unattached in its transcendent timelessness.

As with negative positions, positive prescriptive-invariance understandings of “tradition” leave little room for agency and no middle ground. They imply an agency that is limited to a clear choice of decision-making – acceptance or rejection. Viewed from the positive logic of prescription, on one side lie the enticements of inclusion and community, intensely consolidated with the emotional weight of duty, loyalty, and uncritical obedience. On the other side lie exclusion and ostracization, combined with the intense emotional weight of isolation, outsider-status, guilt, and betrayal. Once again, these are not qualities of “tradition” that I am keen to champion.

Where there is an expectation of invariance in the study of “tradition”, variance becomes notable and worthy of explanation. But, as Stuart Hall (1997) has suggested, it is not so much identifications of variance as it is declarations of invariance (any assertion that meaning can be fixed), that demand explanation, if only for their implausibility. The temptations of timelessness in academic analysis have not gone unnoticed (Fabian 1983; Duara 1998; and many more). This tendency to think of “tradition” in some way as the freezing of time suits urgent discourses of preservation in the face of change, decay, and ephemerality (see Reason 2006). In this light, some have gone as far as to suggest that, “The desire for tradition is thus also a desire for immortality” (Grieve and Weiss 2005:3; see also Becker 1973).[5]

 

Consequences?

We have archives, histories, institutions, and communities of academic discourse and academic practice to support the apparent adequacy of resource-management thinking. We have doctrines, texts, rules, institutions, and systems of formal schooling to support understandings of “tradition” as prescriptive invariance. But understandings of “tradition” that would reduce my experience of learning and withness to discussions about things, transactions, conduits, texts, and obligations, just don’t feel right to me. There’s a sense of missing, of not-enough, and significantly so. There’s a strength, a robustness, a relational substance to what I think about when I use “tradition” as a gateway to reflection. I lose that with resource management and prescriptive invariance. The poetics don’t fit. Lynne Tirrell uses the phrase, “experiential dissonance” (1993:25). That sounds about right. I want more heart in my conversations. I want more people in my conversations. I want ways of talking and writing that sit more intimately with my life.

This wouldn’t matter so much except that academic and institutionally-legitimated ways of thinking, speaking, and writing about “tradition” frequently work to privilege certain perspectives and disempower others: “In its most obvious sense discourse authorises some to speak, some views to be taken seriously, while others are marginalised, derided, excluded and even prohibited. Discourses impose themselves upon social life, indeed they produce what it is possible to think, speak, and do” (Hunt and Wickham 1994:8-9). Wherever we foster and facilitate a focus in “tradition studies” on either resource management or prescriptive invariance, to the detriment of a focus on people and personal relationship, I believe we have been engaging in what I have termed elsewhere “discursive feedback” (McCann 2005). I use this term to speak of a process Michel Foucault (1972) has described as systematically forming the objects of which we speak.  The “traditions” that we speak of increasingly come to fit only those understandings with which we initially approached our research.[6]

One clear consequence of such approaches is that the authority for making sense of those most visible “traditions” comes to rest firmly with the resource managers and the identifiers of invariance. Those with academic, organizational, and institutional status come to be recognised as being more able to make sense of local “traditions” than local people themselves. Those with a greater ability to sculpt words and document texts easily think of themselves as the privileged guardians of knowledge and the priestly class of any imagined community of “tradition”. Within a resource-management, information-transmission model of “tradition”, It is very easy to pass responsibility for “tradition” over to the experts, to those who are professionally trained and responsible for preserving information – academics and archivists. If it’s all about protecting the information for future generations, then who better to do that? How better to do that?

“Tradition” as a notion, then, easily becomes the facilitator of hierarchies of knowledge, the privileging of institutions, the inscription of texts, and the diminishment of the agency of people in the less formalised contexts of local communities. The variations and nuances of lives lived can become subordinated to the more coherent and regular knowledge constructions of centralized authorities. People can be left to struggle with what Audre Lorde has referred to as “the restrictions of externally imposed definition”(1984:121). Alternative understandings of “tradition”, that is, locally-negotiated understandings of “tradition” that don’t fit within the dominant paradigms, can easily become discursively invisible and politically irrelevant.

Resource-management or prescriptive-invariance models of “tradition” leave us with reductive stereotypes about the learning we experience in the company of others as we bear withness. But they are not to be summarily dismissed, for, as Nigerian writer Chimamanda Adichie has said, speaking of “The Danger of the Single Story”; “the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story” (Adichie 2009). The overlain binaries of tradition-modernity, passive-active, conservative-dynamic, static-changing, communalist-individualist, do not tell the whole story, as many have noted before. Wherefore the understandings of “tradition” that allow purveyors of such binaries (even or especially if that includes me) to stand transparently as traders in partial and misrepresentative “single stories”? (or should that be “double stories”?). I would like an understanding of “tradition” that invites me to dissolve the worst excesses of modernization theory and detraditionalization hypotheses (see Heelas, Lash, and Morris, eds. 1996), which strike me as quite disrespectful of many people’s attempts to sustainably maintain continuities of learning and wisdom in their own localities and communities (see Prakash and Esteva 1998; Mauzé, ed. 1989).

If you wish to live “tradition”, these conversations, these narratives, such claims about “tradition”, don’t leave you with much of a choice. You mainly get to choose among various worlds pervaded by determinism: worlds of prescription; of storage and retrieval; of unthinking repetition; of unquestioned ideology and unquestioned authority. You could also opt for or a world of despair as you passively watch what you love inevitably disappearing in the face of active change and a steamrolling modernity, while clambering to preserve it in the face of impending and irreparable silence.

Those aren’t terribly attractive propositions, in my reckoning. And for denigrators of “tradition” and the “traditional”, perched like vultures, such stories serve “tradition” up on a plate, ready to be chewed up and spat out. This is made particularly clear by the statement of manifest destiny that was hoisted as a motto in Bureau of Indian Affairs boarding schools across the United States in the 20th century: “Tradition is the Enemy of Progress” (O’Sullivan 2001). People often find that their lived ways of thinking and doing become subordinately represented as passive, atavistic, or conservative in the face of rhetorics of modernity, innovation, or progress (see McCann 2010 fc).

The workaday discourses of “tradition” mentioned above can wrench political possibilities out of our grasp. This discursive depoliticization first of all allows for the irrelevancy of “tradition” to social and political thought, but secondly, and more importantly, fosters and facilitates the political marginalization of those people and communities who might, in turn, be considered or consider themselves “traditional”. Muana (1998) has identified this issue as being a core concern in the revival and/or preservation of “traditions”.[7]   People often reach for notions of “tradition” to speak of ways of thinking and ways of doing that were and continue to be important to them, especially when they feel that the persistence of their ways of life may be under threat by particular kinds of unhelpful social change (see Mauzé, ed. 1989, or Grieve and Weiss 2005). At such times, many people would like to speak about feelings of encroachment, a sense of injustice, anger about misrepresentations of what they believe and stand for, or maybe express their sense of deep relational connection with those who have gone before and who are yet to come. These deeply felt, profoundly emotional ways of thinking about “tradition” are not readily articulable if the ways of speaking about “tradition” centre on resource management or prescriptive invariance. The temptation is great, however, to accept the terms of discussion, and to join a reductionist dance that does violence to the experiential richness of what we can and do learn from those around us, both helpfully and unhelpfully. Fundamentally, workaday understandings of “tradition” can frequently leave little room for heart, for love, for people, or for hope.

Models of “tradition” based in resource management and prescriptive invariance also leave hardly any room whatsoever for legacies of learning where questioning and critique are actively encouraged. They leave little room for us to speak of the courage that we learn from others to speak up and speak out, to face up to uncertainties, to challenge oppression (see Eyerman and Jamison 1998; Fisher 1993; King-Dorset 2008). They do not easy facilitate conversations about agency, about uncertainty, about challenges, about learning to make sense of life for yourself. They don’t allow us to account much for the considerable differences that might develop between the lives of our most influential teachers and our own lives. Sometimes our greatest learning from another becomes the least visible. Sometimes what we get from somebody else is a learning about what we don’t want to do, what we don’t want to think. Those people are our teachers, too. Understandings of “tradition” as “that which is handed on” or “that which we must do” don’t in any way encompass those conversations.

Resource-management and prescriptive-invariance understandings of “tradition” leave us none the wiser in the face of aggressively intensifying social and environmental changes such as accelerative commodification, aggressive corporate industrialization, or climate change. They offer little room for voices of resistance or discontent. Understood as the transmission of single units, the units themselves do not contain their alternatives. Understood as aspects of people’s lives, they might. Understood as prescriptive invariance, thinking of “tradition” as the foundation for radical political alternatives becomes simply ridiculous. The mere acceptance and collation of “tradition” as “that which is given” can over time constrict the social imagination of other possibilities, of other ways of thinking, of other ways of being. Little wonder that people, particularly people of younger generations, often think that the only possibility to effect some sense of agency in the context of conversations about “tradition” is to radically separate themselves from what has been pre-sent, from the already-given. In what other ways can we continue to develop workday discourses so that “tradition” can serve as a term that speaks of meaningful yet non-oppressive forces for personal and social transformation in our own lives and in the lives of our children?  Surely we can continue to find more helpful ways to think about “tradition” in the context of the social, political, and environmental challenges that people face?

“If we do not accept the distinctions drawn around (and across) us, then we must draw some of our own” (Tirrell 1993:11).

Neil Postman advises that the best way to free our minds from what he calls “the tyranny of definitions” is to provide alternative definitions, in an understanding that definitions can be considered “instruments designed to achieve certain purposes” (1996:183). Bill Ashcroft asks that “We can take these dominant discourses, and transform them in the service of our own self-empowerment” (2001:1). Following Michael Reddy’s critique of the effect of the conduit metaphor on thought processes among speakers of English, I find myself with a need for other stories about “tradition”, so that the deeper implications of resource-management and prescriptive-invariance understandings of “tradition” can be drawn out by way of contrast (1979:292).

I thought a lot about “tradition” during the final months of my father’s life. Here was a man who had been my mentor and my friend, a touchstone for my thinking, a sounding board for my philosophical explorations. My Dad. Here we were, in the space between here and gone. Sitting with my father I understood a little better some of the emotional realities that these terms allow us to signpost for ourselves and others. For me, if the term “tradition” is to mean anything, it is to help me make sense of the question, “What have I learned from my Dad?” and, in turn, to open up the question, “what might I like my kids to learn about life?”

After many months of reflection, I finally decided that I was happy that the following understanding of “tradition” might allow me to open up the kinds of conversations I want to be part of:

“Ways of thinking and ways of doing, considered within a learning context of relationship or community.”

This isn’t offered as a definition. I find definitions tend to reduce authorities for meaning, and establish hierarchies of knowledge, position, and perspective. Instead, it is offered simply as a positioning. For that positioning I shall remain accountable and responsible. This is what I would consider a helpful understanding of “tradition” in my own life. I may change it as I go along, but for the moment, I’m happy to work with it.

This understanding allows me to foreground and privilege people and their practices. I have not mentioned “things” in my understanding of “tradition”, primarily to leave a conversation open about reification, commodification, and thingification, considered as practices and particular (and peculiar) qualities of relationship.

This understanding invites me to consider conversations about “tradition” as also being conversations about learning. For a while I used the word “educational” in place of “learning”. I default to “learning,” as conversations about “education” tend to be dominated by discussions about formal, institutional learning, sedimented with hierarchies of knowledge and authority, and saturated with resource-management models of transmission. This isn’t necessarily the case, but I find that “learning” opens up a relationship-privileging, and agency-privileging perspective. It can also easily include both institutional and informal contexts of learning.

Fourth, the inclusion of “context” is to invite me to specificity. I want my understandings and analyses of “tradition” become always-already “peopled”, always-already relational. In this way, a conversation about “tradition” can become for me a series of challenges and questions about what it might mean to be human. I want to work with a notion of “tradition” that invites particularist analysis, that draws me down to the specificities of people’s lives, and thereby to the specificities of my own:

“If we are ever to remember what it is to be human beings, and if we are ever to hope to begin to live sustainably in place (which is the only way to live sustainably), we will have to remember that specificity is everything. It’s the only thing we’ve got. In this moment I’m not abstractly writing: I’m writing these specific words on this specific piece of paper using this specific pen, lying on this specific bed next to this specific cat. There is nothing apart from the particular. Now, I can certainly generate abstract notions of writing or humanity or cities or nature or the world, but they’re not real. What is real is immediate, present, particular, specific” (Jensen 2004:60).

As Abu-Lughod (1991:154) has noted, by focusing on particular individuals and their changing relationships, we can subvert the problematic temptations of homogeneity, coherence, and timelessness in our analyses. This is as important in conversations about “tradition” as it was for Abu-Lughod in conversations about “culture”. By giving context due weighting in conversations about “tradition”, I remind myself that I am interested in the always-already hereness of relationship. I remind myself that casual abstractions can easily distance me from the nuances and subtleties of relationship that would otherwise challenge me any time I felt abstraction was a helpful way to proceed.

Epilogue

It is not necessary that “tradition” remain marginalised within the social sciences and humanities. As Grieve and Weiss write; “tradition can be analysed as a strategic tool of cultural critique” (2005:15).  Conversations catalysed by the term “tradition” can include conversations that have been, and remain, central to the concerns of critical social thought: power, agency, domination, oppression, expansionary social dynamics, violence, capitalism, commodification, ideologies, education, gender, socialization, interaction, identities, social structure, social change, and social transformation (e.g., Paredes 1995; Mauzé, ed. 1989; Muana 1998; Mills 1993; MacDougall 2004; Langellier 1989; King-Dorset 2008). What’s more, they can let us engage with these issues from deeply peopled and particularist perspectives. As this happens, though, it would help to acknowledge the power of resource-management and prescriptive-invariance thinking in discussions about “tradition,” and to respond to the limitations that such emphases can shackle us with. May and Powell have suggested that social theory can allow us “to examine taken-for-granted assumptions, explore the basis and content of interpretations of the social world, its structural dynamics and the place of human agency within it” (2008:1). Conversations about “tradition” can continue to facilitate such examinations and explorations.

If I understand my own “traditions” as ways of thinking, ways of doing, considered within a learning context of relationship or community, then I could consider myself to have come from a “traditional” family, indeed, anyone could. I don’t get any sense of status or superiority after claiming this for myself, but it does feel like the beginning of a whole range of exciting conversations. How have I learned in the company of both my parents? How have I learned in the company of my siblings? My friends? My lovers? How do I happen to be how I am and not some other way(s)?

And, crucially, what might I like my kids to learn about life? (should I ever have kids) What emotional climate and learning context would I work to provide for them? How might I encourage them to think about authority, about questioning, about working things out for themselves? How might I invite them to think about different qualities of relationship? About friendship? About love? About family? About relatives? How might I open up questions for them about their relationship to conflict, structural violence, oppressive systems, and social injustice? How might I encourage them to remain considerate of people that have passed on and of people who are yet to be born? How might I invite them to consider their role in social change and helpful social and political transformations? How might I encourage them to dream?

“What might I like my kids to learn about life?” invites a positioning, not only about which kinds of “traditions” of learning might be possible, but which might be preferable, which might be more helpful. Which in turn invites the questions, “more helpful for what?” and “according to what criteria?” I can continually return to clarify both what has become important to me, and what I would like to be important to me, being careful who I pretend to be for that is who I may become, and whom others may learn from. I can become more accountable and responsible for my place in lives of interpersonal and intergenerational learning, holistically considered.

Bibliography

Abu-Lughod, Lila 1991. “Writing against culture.” In Recapturing anthropology: Working in the present. Richard G. Fox, ed. Santa Fe, NM: School of American Research Press, 137-162.

Abrahams, Roger D.  1993. “After New Perspectives: Folklore Study in the Late Twentieth Century.” Western Folklore Vol. 52, Nos. 2/4: 379-400

Adichie, Chimamanda 2009. “The Danger of a Single Story.” Ted.com. October 7th. URL: http://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story.html (accessed February 2010).

Anderson, Benedict 1991. Imagined Communities: reflections on the origins and spread of nationalism. London: Verso.

Ashcroft, Bill 2001. On post-colonial futures: transformations of colonial culture. Crows Nest: Allen and Unwin.

Becker, Ernst 1973. The Denial of Death. New York: The Free Press.

Behar, Ruth 1996. The Vulnerable Observer: Anthropology that breaks your heart. Boston: Beacon Press.

Ben-Amos, Dan 1971. “Toward a Definition of Folklore in Context,” Journal of American Folklore, 84: 3-15.

Ben-Amos, Dan 1984. “The Seven Strands of Tradition: Varieties in Its Meaning in American Folklore Studies.” Journal of Folklore Research Vol. 21, Nos. 2/3: 97-129.

Bourdieu, Pierre and Passeron, Jean Claude 1990. Reproduction in Education, Society and Culture. Newbury Park, CA: Sage.

Calhoun, Craig J.  1983. “The Radicalism of Tradition: Community Strength or Venerable Disguise and Borrowed Language?” American Journal of Sociology Vol. 88, No. 5: 886-914.

Cixous, Helene 1980. “The Laugh of the Medusa.” In New French Feminisms. Elaine Marks and Isabelle de Courtivron, eds. New York: Schocken Books, 245-264.

Dominguez, Virginia R.  1987. “Of Other Peoples: Beyond the Salvage Paradigm.” In Discussions in Contemporary Culture: Number One. Hal Foster, ed. Seattle: Bay Press, 131-137.

Duara, Prasenjit 1998. “The Regime of Authenticity: Timelessness, Gender, and National History in Modern China.” History and Theory Vol. 37, No. 3: 287-308.

Eyerman, Ron and Jamison, Andrew 1998. Music and Social Movements: Mobilizing Traditions in the Twentieth Century. Cambridge: Cambridge University Press.

Fabian, Johannes 1983. Time and the Other: How Anthropology Makes Its Object. New York, Columbia University Press.

Fisher, Stephen L. 1993. Fighting Back in Appalachia: Traditions of Resistance and Change.
Philadelphia, PA: Temple University Press.

Flax, Jane 1992. “The End of Innocence.” In Feminists Theorize the Political. Judith Butler and Joan W. Scott, eds. London: Routledge, 445-463.

Foucault, Michel 1972. The Archaeology of Knowledge. London, Tavistock Publications.

Foucault, Michel 1990. The History of Sexuality: An Introduction. New York, Vintage Books.

Foucault, Michel 1991. Discipline and Punish. London, Penguin Books.

Freire, Paolo 1998. Pedagogy of Freedom: Ethics, Democracy, and Civic Courage. Transl. Patrick Clarke. Lanham: Rowman and Littlefield.

Frye, Marilyn 1983. The Politics of Reality: Essays in Feminist Theory. Freedom, California; The Crossing Press.

Glassie, Henry 1993. Turkish Traditional Art Today. Bloomington: Indiana University Press.

Glassie, Henry 1995. Passing The Time in Ballymenone. Bloomington: Indiana University Press.

Graeber, David 2007. Possibilities: Essays on Hierarchy, Rebellion, and Desire. Oakland, CA: AK Press.

Grieve, Gregory P.  and Weiss, Richard 2005. “Illuminating the Half-Life of Tradition. Legitimation, Agency, and Counter-Hegemonies.” In Historicizing “Tradition” in the Study of Religion. Steven Engler and Gregory P. Grieve, eds. Berlin: Walter de Gruyter, 1-18.

Hall, Stuart 1997. Representation and the Media. Documentary transcript. Northampton, MA: Media Education Foundation.
URL: http://www.mediaed.org/assets/products/409/transcript_409.pdf (accessed February 2010).

Handler, Richard and Linnekin, Jocelyn 1984. “Tradition, Genuine or Spurious.” Journal of American Folklore Vol. 97, No. 385: 273-290.

Heaney, Seamus 1966. Death of a Naturalist. London: Faber.

Heckert, Jamie 2005. Resisting Orientation: On the Complexities of Desire and the Limits of Identity Politics. Ph.D. thesis. University of Edinburgh. URL: http://sexualorientation.info/thesis/index.html (accessed February 2010).

Heelas, Paul, Lash, Scott, and Morris, Paul eds. 1996. Detraditionalization: Critical Reflections on Authority and Identity. Oxford: Blackwell

Hern, Matt ed. 2008. Everywhere All The Time: A New Deschooling Reader. Oakland: AK Press.

Hobsbawm, Eric and Ranger, Terence eds. 1983. The Invention of Tradition. Cambridge: Cambridge University Press.

Honko, Lauri 1991. “The Folklore Process.” Folklore Fellows’ Summer School Programme. Turku, Finland: Folklore Fellows’ Summer School, 25-48.

hooks, bell 1989. Talking Back: thinking feminist, thinking black. Toronto: Between the Lines.

Hymes, Dell 1975. “Breakthrough into performance.” In Folklore Performance. Dan Ben-Amos and Kenneth S. Goldstein, eds. Mouton: The Hague, 11-74.

Illich, Ivan 1971. Deschooling Society. New York: Harper & Row

Jensen, Derrick 2004. Walking on Water: Reading, Writing, and Revolution. White River Junction, VT: Chelsea Green Publishing.

King-Dorset, Rodreguez 2008. Black Dance in London, 1730-1850: Innovation, Tradition and Resistance. Jefferson, NC: McFarland & Co.

Langellier, Kristin M.  1989. “Personal narratives: Perspectives on theory and research.” Text and Performance Quarterly Vol. 9, No. 4: 243–276.

MacDougall, Pauleena 2004. The Penobscot Dance of Resistance: Tradition in the History of a People. Durham, NH: University of New Hampshire.

Lee, Theresa Man Ling 2007. “Rethinking the Personal and the Political: Feminist Activism and Civic Engagement.” 
Hypatia Vol. 22, No. 4: 163-179.

Mauzé, Marie ed. 1997. Present is Past: Some Uses of Tradition in Native Societies. Lanham: University Press of America.

Lorde, Audre 1984. “Age, Race, Class and Sex: Women Redefining Difference.” In Sister Outsider. Audre Lorde, ed. Freedom, CA: The Crossing Press, 114-123.

Luke, Carmen and Gore, Jennifer 1992. Feminisms and Critical Pedagogy. New York: Routledge.

May, Tim and Powell, Jason 2008. Situating Social Theory. London: Open University Press.

McCann, Anthony 2005. “Enclosure Without and Within the ‘Information Commons’.” Journal of Information and Communications Technology Law Vol. 14, No. 3: 217-240.

McCann, Anthony 2011. “A Tale of Two Rivers: Riverdance, A River of Sound, and the ambiguities of “tradition”.” Ethnologie Française Vol. 40(2): 323-331.

McCarthy, Marie 1999. Passing It On: The Transmission of Music in Irish Culture. Cork: Cork University Press.

McCoy, Michael ed. 1989. Apprenticeship: From Theory to Method and Back Again. Albany, NY: SUNY Press.

Mills, Margaret 1993. “Feminist Theory and the Study of Folklore: A Twenty-Year Trajectory toward Theory.” Western Folklore Vol. 52, Nos. 2/4: 173-192

Muana, Patrick Kagbeni 1998. “Beyond Frontiers: A Review of Analytical Paradigms in Folklore Studies.” Journal of African Cultural Studies Vol. 11, No. 1: 39-58.

Ó Laoire, Lillis. 2005. On a Rock in the Middle of the Ocean: songs and singers in Tory Island, Ireland. Lanham, MD: The Scarecrow Press.

O’Sullivan, Maurice J.  2001. “Tony Hillerman and the Navajo Way.” In Crime Fiction and Film in the Southwest: Bad Boys and Bad Girls in the Badlands. 163-176. Madison: Popular Press (UWP).

Paredes, Américo. 1995. Folklore and Culture on the Texas-Mexican Border. Austin: University of Texas Press.

Paredes, Américo and Bauman, Richard eds. 1972. Toward New Perspectives in Folklore. Austin: American Folklore Society by the University of Texas Press.

Postman, Neil 1996. The End of Education. New York: Vintage Books.

Peavey, Fran 1986. Heart Politics. Montréal: Black Rose Books.

Peavey, Fran 2000. Heart Politics Revisited. London: Pluto Press.

Prakash, Madhu Suri and Esteva, Gustavo 1998. Escaping Education: Living as Learning within Grassroots Cultures. New York, Peter Lang.

Reason, Matthew 2006. Documentation, Disappearance and the Representation of Live Performance. Houndmills, Basingstoke: Palgrave Macmillan.

Reddy, Michael J. 1979. “The Conduit Metaphor: A Case of Frame Conflict in Our Language about Language.” In Metaphor and Thought. Andrew Ortony, ed. Cambridge: Cambridge University Press, 284-234.

Ritchie, Susan 1993. “Ventriloquist Folklore: Who Speaks for Representation?” Western Folklore Vol. 52, Nos. 2/4: 365-378.

Rose, Gillian 1995. “Tradition and paternity: same difference?” Transactions of the Institute of British Geographers Vol. 20, No. 4: 414-416.

Shils, Edward 1971. “Tradition.” Comparative Studies in Society and History Vol. 13: 122-59.

Shils, Edward 1981. Tradition. Chicago: University of Chicago Press.

Siikala, Anna-Leena, Klein, Barbro, and Mathisen, Stein R. eds. 2004. Folklore, Religion and the Politics of Heritage. Studia Fennica Folkloristica 14. Helsinki: Finnish Literature Society.

Smith, Mark 1994. Local Education: community, conversation, praxis. Buckingham: Open University Press.

Stoller, Paul 1989. The Taste of Ethnographic Things. Philadelphia: University of Pennsylvania Press.

Stone, Lynda ed. 1994. The Education Feminism Reader. London: Routledge.

Tirrell, Lynne. 1993. “Definition and Power: Toward Authority without Privilege.” Hypatia Vol. 8, No. 4: 1-34.

Toelken, Barre 1996. The Dynamics of Folklore. Logan: Utah State University Press.

Smith, Linda Tuhiwai 1999. Decolonizing Methodologies: Research and Indigenous Peoples. London: Zed Books.

Vansina, Jan 1965. Oral Tradition. Harmondsworth, Middlesex: Penguin.

Vansina, Jan 1985. Oral Tradition As History. Madison, WI: University of Wisconsin Press.

Weber, Max 1921/1968. Economy and Society. Totowa, NJ: Bedminster Press.


[1] My sincere thanks go to Jamie Heckert, Lawrence Holden, and Tes Slominksi for their assistance in helping me make sense of these conversations. Thanks to Keola Donaghy and Dorothy Noyes for help in literature searches. Special thanks go to Kristin Kuutma and Monika Tasa of the University of Tartu for their patience, and all at the Tartu Folklore Summer School for their conversations, feedback, and company. Thanks also to the anonymous reviewer who lead me to reassess an earlier version of the article.

[2] As Neil Postman has written, “Meaning is not in words. Meaning is in people, and whatever meaning words have are assigned or ascribed to them by people” (1996:183).

[3] I have elsewhere made a more sustained critique of discourses of resource production and management and their relationship to processes of enclosure and commodification (McCann 2005).

[4] There are too many to list. Among the books closest to me on the shelf are Marie McCarthy’s Passing It On (1999) and Lillis Ó Laoire’s On a Rock in the Middle of the Ocean (2005).

[5] There may be other implications, however, particularly in relation to issues of agency; as Virginia Dominguez has suggested; “When we assert the need to salvage, rescue, save, preserve a series of objects or forms, we announce our fear of its destruction, our inability to trust others to take appropriate action and our sense of entitlement over the fate of the objects. Our best liberal intentions do little other than patronize those slated for cultural salvage” (Dominguez 1987:131).

[6] “The powerful normally determine what is said and sayable. When the powerful label something or dub it or baptize it, the thing becomes what they call it” (Frye 1983:105).

[7] “The researcher may … find it difficult to reconcile the conflictual fit between his/her analytical parameters and the perspectives of the ‘native’ being investigated (Muana 1993). This has never dissuaded some researchers from asserting that they are ‘ventriloquizing’ for the native (Ritchie 1993). This practice of ‘de-voicing’ the native has implications for the status of the interpretations and conclusions reached by the researchers” (Muana 1998:52).

Supermarket, Shopping, and the Discerning Thinker

Back in the 1980s I remember that visiting a supermarket tended to be a fairly unthinking activity. We would take down cans of food, or what approximated to food, and place them rather carelessly in the shopping trolley, before carting them home and eventually consuming the mysteries within. These days we tend to be quite a bit more discriminating about what we buy. Checking the ingredients list on the side of a can or a packet has become almost automatic; we now seem to have developed a keen sense that what we eat has an effect on our bodies, our minds, our emotions, and our quality of life. And we don’t stop there; we also check where our food has come from, in light of anything from airmiles to sweatshops to the policies of nations.

Sometimes when I think of the thoughts we think, I think about shopping in a supermarket. In mind of the spirit of Marx who commented that we make our own history but not quite as we please, when we think our thinks we do indeed think our own, but not quite as we please. We are born into conditions of thought not of our own making, and, for the most part, we tend to take our cans of ready-packaged thought down off the supermarket shelf with little regard to content or provenance or ethical import. Ready-made thought, ripe for consumption. We often give little thought to the ways that particular kinds of thinking can affect our bodies, our minds, our emotions, and our quality of life. And they can.

It would be better if we could get into the habit of being as ecological about where our thinking comes from as we have become about where our food comes from. Yes, we can get a little precious about our food, but the reason we check what we check and monitor what we monitor where our food is concerned is so we don’t harm ourselves or harm others, if we can at all avoid it. If our thinking also affects our sense of self, our mood, our sense of how we relate to others, and guides us in our everyday actions, surely it makes sense to be a little bit more discerning about where our thinking comes from?

http://www.anthonymccann.com

Double Listening

I am interested in the coaching possibilities opened up by Winslade and Monk’s mediation technique of “double listening”. Drawing on the work of Michael White, they make note of the “absent but implicit” story of hope that sits alongside the voicing of a story of conflict:

“Mediators can give this story of hope for something better a chance if they first of all hear this absent but implicit hope and then begin to inquire into the story that it is a part of. The story may often by subordinate to the story of the outrage and pain, but it perhaps speaks to the person’s better intentions in relation to the other party. If given the chance for expression, these better intentions can give rise to a different story of the future” (Winslade and Monk 2008:10-11).

The expression of pain and suffering through remembered events and feelings can become a seed for hopeful reflections, not as a utopian aspiration, but as an awareness of the desire for a more positive experience that the pain and conflict reveal. I think the lessons of this “double listening” are not just relevant to formal mediation, but are also helpful in invitations to transformation more generally. What Winslade and Monk’s work draws attention to is how stories of the past also shape our stories of the future. It may be that “double listening” can further open up what John Paul Lederach (2005) calls our “moral imagination”, allowing for even deeper understandings of the complexities, paradoxes, and possibilities of being human.

In very simple terms, double listening opens up the notion that ‘complaint is a window on aspiration’, that every complaint that I utter can also be turned on its head as an aspiration to a better situation, an improvement on what is. Staying with the complaint and hanging out there can lead to a lot of negative energy that can easily suck hope dry. Turning a complaint on its head to work out what it tells me about my aspirations, hopes, and values can provide me with an opportunity for reflection, a window to the otherwise, a doorway to new possibilities.

Complaint or conflict can become, then, a diagnostic opportunity for new perspectives, rather than the direct route to blame and denigration that they can often be.

http://www.anthonymccann.com

References

John Paul Lederach. 2005. The Moral Imagination: The Art and Soul of Building Peace. Oxford: OUP.

John Winslade and Gerald Monk. 2008. Practicing Narrative Mediation: Loosening the Grip of Conflict. San Francisco: Jossey-Bass.

Other Stories

“What matters is that lives do not serve as models; only stories do that. And it is a hard thing to make up stories to live by. We can only retell and live by the stories we have read or heard. We live our lives through texts. They may be read, or chanted, or experienced electronically, or come to us, like the murmurings of our mothers, telling us what conventions demand. Whatever their form or medium, these stories have formed us all; they are what we must use to make new fictions, new narratives” (Heil-Brun 1988, p. 37, Writing a Woman’s Life) (In Connolly and Clandinin 1990:2).

Maureen Heatherington has written, “Within the field of peace building in Northern Ireland, it has become apparent that the ‘healing work’ has not been adequately dealt with” (2008:51). Even though different groups have competing versions of history in Northern Ireland, it could be argued that those competing narratives have in themselves become our “single story”, “… the conflict-saturated relationship narrative in which people are often stuck” (Winslade and Monk 2008:8). This is understandable. In Northern Ireland, between 100,000-140,000 people live in households where someone has been injured or killed in a Troubles-related incident (Fay et al., 1998, p. 59).

It has been suggested that 12% of the Northern Ireland population may be diagnosable with PTSD (Healey 2008:59). A more recent study suggests that figures may be higher, and that Northern Ireland may have the highest levels of PTSD in the world: http://www.bbc.co.uk/news/uk-northern-ireland-16028713. Personally, I feel this is playing very fast and loose with the notion of PTSD, which, as my wife Emma reminds me, is a complex clinical diagnosis, and one which even a psychiatrist would be loathe to label someone with too readily.

People often speak of the last forty years in Northern Ireland as ‘The Troubles’ or ‘The Conflict’, characterising this time as a continuous experience of intense conflict. Most recently, this was highlighted by the opening of “The Troubles Gallery” at the Ulster Museum. For me, this easy shorthand influences us with a subtle gravity that often leads us, in our retellings and characterisations of life in Northern Ireland, to frequently and predominantly place the emphasis on hostility, trauma, and on incidents and contexts of violence. By doing this I would suggest that we pay the high price of effacing many other aspects of our lives. More helpful aspects of everyday life over the past forty years have been rendered discursively invisible.

Of course, people did experience hostility, trauma, violence, and violent death. It is crucial to acknowledge and respect this in any work that might be undertaken. But I think it is also important to acknowledge and respect that to remain exclusively or predominantly focused on difficult experiences would be to misrepresent the character and texture of the everyday lives that people have led in Northern Ireland over the last forty years. In this light, work such as that undertaken by Henry Glassie (1995), Ray Cashman (2009) or Anthony Buckley (1982) draws attention to other ways of being, other dimensions of everyday life in Northern Ireland during the last forty years. In each case tensions, hostility, and conflict are acknowledged, but as part of a broader spectrum of lives lived and relationships forged.

Where people suggest that the authentic experience of living in Northern Ireland is that of hostility and violence, when people characterise the last forty years glibly and euphemistically as “The Troubles” or “The Conflict”, then we can all too easily establish a hierarchy of authenticity. The experiences and narratives of trauma and victimhood easily become privileged as more valid and representative than the experiences and narratives of people for whom trauma and violence were not a dominant aspect of their daily lives. Similarly, a geographical hierarchy of authenticity becomes quickly established, whereby certain locations take on symbolic and iconic significance for being flashpoint or interface areas, for example, the Bogside or The Fountain in Derry/Londonderry or the Falls Road and the Shankill Road in Belfast, while other areas assume major importance on account of individual events of violence that occurred on single days, for example, Omagh or Warrenpoint (where I grew up).

Maureen Hetherington has also noted that “Because of the nature of the conflict, there is no one individual or collective voice that can speak for everyone” (2008:49). Could it be argued that, nevertheless, a single collective voice has emerged, one that speaks a single history of violence, even if the complexities of the violence and the details of the story remain contested? Has violence, in effect, become the Single Story of Northern Ireland?

This is where story work comes in: “Through the physical recording of stories and an ongoing storytelling process, opportunities for individual healing and societal healing may emerge, as well as providing a forum for a shared and diverse history” (HTR report cited in Kelly 2005:4). Paul Thompson has written that oral history “gives history back to the people in their own words. And in giving a past, it also helps them towards a future of their own making” (1978:226). Through story work we can challenge some of the ways that many people’s voices can easily get silenced by the lumbering simplistics of Single Stories casually told as definitive histories.  As Johnston McMaster has written: “The lost voices and lost stories not only give us permission to ethically remember and to critically commemorate, they provide us with a counter-story to the dominant discourse of the time” (2008:132).

It is within this context that story projects such as An Crann and Towards Understanding and Healing have been developed. At the heart of such projects people trust in the power of story, storytelling, and the voicing of stories in “positive encounter dialogue” to open to the door to the possibilities of change and transformation in the wake of conflict. Story work can provide “a safe space for people to begin to articulate personal stories and also to listen to other stories, or “truths,” in a way that does not diminish their own experience” (Hetherington 2008:42).

A colleague of mine recently commented to me, however, that he felt that dominant thinking in relation to storytelling projects in peace and reconciliation work might be leading us into a blind alley. He had been involved in many storytelling projects as a facilitator, and was concerned that they were becoming repetitive, falling into a cycle of telling and re-telling, of traumatization and re-traumatization. He was also concerned that people could sometimes all too easily play the role of victim, when perhaps it might be more helpful in some circumstances to challenge self-identification with victimhood in order to open up spaces for helpful transformation. In the conversation I mentioned research I had come across, by Eva Illouz (2007), that spoke of the rise of what the researcher termed the “cold intimacies” of “emotional capitalism” and the prevalence of intense emotional public confessions, particularly on television chat shows. Was there any possibility of a connection between this and the rise of confessional modes of storytelling in peace and reconciliation work? Might there be differences between the “cold intimacies” Illouz identifies and the “warm intimacies” of much of the storytelling work that is currently being undertaken. Might there also be food for thought in the critique Frank Furedi made of “Therapy Culture” (2003)?

As we talked, we wondered whether there might be a way for people not only to tell their stories, but for people to think about how they might also tell other stories. We don’t have just one story to tell about ourselves.[1] Might there we ways in which we can facilitate spaces for people to explore how we craft stories about ourselves? Often we live with stories about ourselves that are many years old, constructed under conditions different to the ones we inhabit now. I like what Connolly and Clandinin have written, that “education is the construction and reconstruction of personal and social stories; teachers and learners are storytellers and characters in their own and other’s stories.” (Connolly and Clandinin 1990:2). How might we become more present with ourselves and our contexts in the stories that we tell about ourselves and our histories? Are there ways to respect our pasts and the sense we have made of our lives as we lived them, while also respecting that other ways of telling stories are always possible? How many different stories might we tell about the lives that we have lived, while still feeling that the stories remain relevant and appropriate to our experiences? Might we explicitly commit ourselves to challenging Single Stories?

It is important to remember, as Jessica Senehi notes, that “storytelling, of course, is not inherently good or peaceful” (2009:203). She makes an important distinction between “destructive storytelling”, storytelling practices that can intensify conflict and reinforce social and political inequalities and divisions, and “constructive storytelling”, storytelling practices which tend to emphasise dialogue, mutual recognition, consciousness raising, and which offer alternatives to relations of domination (ibid.). It is possible to recognise the violent histories of people’s experiences in this place, and also to suggest that the dominance, replaying, and reinforcement of exclusively histories of violence may be destructively contributing to what Hutchinson calls “colonisation” of social imagination, or “restrictions on creative thought and creative action in relation to potential reality” (Hutchinson 1996:34). We can challenge the “single story” of Northern Ireland as “a history of violence”. We can imagine differently.

http://www.anthonymccann.com


[1] I learned this with some immediacy when I started dating a few years ago after not doing so for quite a few years – the life story I told about myself during one of these dates was one I had previously told many years before, and I had changed so much in the intervening years that the story no longer fitted me. More, I felt like I was misrepresenting who I was and what was important to me, projecting roles that I no longer identified with. The protagonist whose story I had told was no longer me.

References

Chimamanda Adichie. 2009. “The danger of a single story.” Ted.com October 2009. URL: http://www.ted.com.

Brennan, T. 2004. The Transmission of Affect. Ithaca, NY: Cornell University Press.

Anthony D Buckley. 1982. A gentle people: a study of a peaceful community in Northern. Ireland. Cultra: Ulster Folk and Transport Museum.

Ray Cashman. 2009. Storytelling on the Irish Border. Bloomington: Indiana University Press.

F. Michael Connelly and D. Jean Clandinin. 1990. “Stories of Experience and Narrative Inquiry.” Educational Researcher 19(2):2-14

Frank Furedi. 2003. Therapy Culture: Cultivating Vulnerability in an Uncertain Age. London: Routledge.

Henry Glassie. 1995. Passing The Time in Ballymenone. Bloomington: Indiana University Press.

Arlene Healey. 2008. “Holding Hope When Working Towards Understanding and Healing.” In Stories in Conflict: Towards Understanding and Healing. Liam O’Hagan, ed. 55-70. Derry/Londonderry: Yes! Publications.

Maureen Hetherington. 2008. “The Role of Towards Understanding and Healing.” In Stories in Conflict: Towards Understanding and Healing. Liam O’Hagan, ed. 39-53. Derry/Londonderry: Yes! Publications.

Francis P. Hutchinson.  1996. Educating Beyond Violent Futures. London: Routledge.

Eva Illouz. 2007. Cold Intimacies: The Making of Emotional Capitalism. Oxford: Polity Press.

Gráinne Kelly. 2005. ‘Storytelling’ Audit. Belfast: Healing Through Remembering. URL: http://cain.ulst.ac.uk/issues/victims/docs/kelly0905storytelling.pdf

J. P. Lederach. 2005. The Moral Imagination: The Art and Soul of Building Peace. Oxford: OUP.

Johnston McMaster. 2008. “Ethical Remembering: Commemoration in a New Context.” In Stories in Conflict: Towards Understanding and Healing. Liam O’Hagan, ed. 127-138. Derry/Londonderry: Yes! Publications.

Report of the Consultative Group on the Past. 2009. URL: http://www.publications.parliament.uk/pa/cm200910/cmselect/cmniaf/171/171.pdf

Jessica Senehi. 2009. “Building Peace: Storytelling to transform conflicts constructively.” 201-214. In Handbook of Conflict Analysis and Resolution. Dennis J.D. Sandole, Sean Byrne, Ingrid Sandole-Staroste and Jessica Senehi, eds. London: Routledge.

Paul Thompson. 1978. The Voice of the Past: Oral History. Oxford: Oxford University Press.

John Winslade and Gerald Monk. 2008. Practicing Narrative Mediation: Loosening the Grip of Conflict. San Francisco: Jossey-Bass.

Websites:

Community Dialogue http://www.communitydialogue.org/

Towards Understanding and Healing http://www.thejunction-ni.org/towardsunderstandingandhealing.htm

The danger of a single story

Our lives are saturated by stories in which we play a part. In the words of Roger Simon: “The stories we tell, the narratives that give coherence and meaning to our lives, set the terms within which we are able to formulate the possibilities of existence” (1992:60). Coaching can invite people to find a deeper presencing in the stories they tell about themselves. In October, 2009, a talk by Nigerian novelist Chimamanda Adichie was posted on the Ted.com website.

The Danger of A Single Story – Chimamanda Adichie

In this brief presentation, entitled ‘The danger of a single story’, Adichie addressed our vulnerability in the face of stories. In particular, she addressed the power of “single stories” – stories that masquerade as the final truth about people and their lives. Adichie spoke of the stories that represented Africa as “a place of negatives, of difference, of darkness”, a place of human catastrophe. “To insist on only these negative stories,” she said, is to flatten my experience and to overlook the many other stories that formed me” (Adichie 2009).

Coaching allows us to invite people to get unstuck from their own Single Stories, to move away from those stories that allow us to represent ourselves as a “place of negatives, of difference, of darkness”. With ill-fitting stories we distance ourselves from ourselves, and we feel this to be true, while frequently also denying this to be the case. An acknowledgement of flattened and flattening stories through coaching dialogue gives rise to the hopefulness of recalibration, as we come to a greater awaress of the ability of the stories we tell about ourselves to awaken our deepest possibilities and invoke the shimmer of the ordinarily extraordinarily.

References

Chimamanda Adichie. 2009. “The danger of a single story.” Ted.com October 2009.
URL: http://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story.html (accessed 25th July, 2013).

Roger I. Simon. 1992. Teaching against the grain : texts for a pedagogy of possibility. New York: Bergin &​ Garvey

http://www.anthonymccann.com