What might I like my kids to learn about life?: in search of “tradition”.

2011. Journal of Ethnology and Folkloristics 4(1):75-92

“Our study must push beyond things to meanings, and grope through meanings to values. Study must rise to perplex and stand to become part of a critical endeavour. We study others so their humanity will bring our own into awareness, so the future will be better than the past” (Glassie, 1995:xiv). 

Personal Prologue [1]
“I rhyme to see myself, to set the darkness echoing” (Seamus Heaney, ‘Personal Helicon’, 1966).

My father passed away last year [2008]. As I think on his passing, I find myself reaching out to understand what it has meant to be a son. What it still means. I find myself searching for words to express what I learned from the man I loved as a friend and mentor. I look for ways to speak about those things that I hold dear. I try to find better words to talk about the helpful things I have learned in the company of my parents, my family, my friends. I wonder how to think more clearly about the things I love about life. I wonder how to make sense of those ways of being human that I would hope any future kids of mine to learn about. I find myself looking for ways to speak of learnings, unlearnings, and relearnings. I find myself looking for ways to speak of the connections and the distances that persist between me and others, the play of influences in our lives, the ways we can always-already make a difference. It seems to me that “tradition” is a notion that may well be suited to speak of such things.

I remember talking to the accordion player Billy McComiskey about his sense of tradition, about why playing his accordion with those tunes, in those ways, was so important to him. “It gives me strength against oppression,” he said, “It keeps me warm at night”. That made sense to me. Another time I was chatting over a drink with a couple of women from County Clare about the bitterness of a copyright dispute over tune ownership in Irish traditional music. The elder of the two, likely in her seventies, got very emotional, almost to the point of tears, as she struggled to express how wrong it all felt to her, saying, “It bites to the core of what it’s all about.” That made sense to me, too. These are people for whom the notion of “tradition” means something. I want it to continue to mean something for me. Or, to put it another way, there are people, values, and things in my life that mean something, that are important to me, that strengthen me in my sense of who I am and how I relate, and I think “tradition” is one of those words (among many) that can allow me to speak and think more clearly about this. “Tradition” is a word that can open up conversations I want to be part of.

Or is it? As much as “tradition” feels right to me on a deep, emotional level, I am aware of the shadowy, grappling gravities of certainty, ritual, obligation, belonging, memory, community, blood, and nation that come with my own and others’ understandings of “tradition”, and they leave me suspicious. “Tradition” can wield considerable emotional power; I have learned to identify those places of strongest emotion within myself and to start my questioning there.  I have come across uses of the term that make me angry; “tradition” and “traditional” can be easily deployed as ways to sanctify, segregate, categorise, denigrate, and exclude. I have come across uses of the term that leave me cold, satisfying the exigencies of academic analysis, allowing for grand, abstract statements that seem to have little connection to the lives of real people. I have come across uses of “tradition” that satisfy the bluster of rhetoricians, meaning little beyond the demands of a soundbite.

With all of my suspicions and misgivings, though, I keep coming back to “tradition”. I keep returning to clarify, to re-articulate, to grapple with meanings of the term, because I have a feeling there is something valuable there. The notion of “tradition”, at least in the English language, tends to be deployed academically in the company of verbal shadow-play concerning, among other things, identity, everyday life, customs, community, intergenerational relationship, and social change. That said, how has the notion of “tradition” become so marginalised within the social sciences and humanities? How has it happened that many understandings of “tradition” have become so profoundly depoliticized that they are frequently considered to offer little of relevance to social and political thought? How is it that folklore studies and ethnology are not explicitly considered co-extensive with sociology? Is there something inherent in the notion of “tradition” that leaves it ill-suited as an analytic term for social and political analysis? I would think not, but it seems to be a bit of an uphill battle.

In thinking about “tradition”, I take inspiration from other people who write from various perspectives in feminisms, anarchisms, anthropologies, postmodernisms, poststructuralisms, and postcolonialisms as they struggle to reconfigure their experiences of meaning, writing against the grain of sedimented orthodoxies (e.g., Foucault 1972, 1980, 1990, 1991; Cixous 1980; Graeber 2007; Heckert 2005; Flax 1992; hooks 1989; Behar 1996; Stoller 1989, 1997; Tuhiwai Smith 1999). So many institutionally legitimated perspectives continue to encode deeply misrepresentative and enclosing understandings of what it might mean to be human. So many of the workaday notions that we leave unchallenged invite us, persuade us, to be less than we can be. So many of the ways of thinking we accept as adequately descriptive of our worlds and our experiences come from deeply partial perspectives that are not truly resonant with our own; perspectives that distance us from the possibilities of our lives even as we use them to live those lives.

 

In search of “tradition”

We can always become more accountable and responsible for our uses of the term “tradition”, and for our processes of “traditioning”. I’m very fond of something that Sunday Business Post journalist Tom McGurk once wrote, in the context of a discussion of the term “traditional”; “While it doesn’t matter what you call it, it does matter what it is supposed to mean” (1995:25). In inviting more accountability and responsibility it helps to start with myself. What do I mean by “tradition”, if I am going to use it at all? What are the qualities of attitude and relationship that are implied by my particular deployments of “tradition” as a term? What kinds of conversations would I like the term to open up for me? If I were to consider it as a signpost, what conversations, communities, and contexts might it point to?

Theoretically, “tradition” might be considered a messy tool to work with. It is easy to fall into semantic defeatism. Shanklin writes; “Like culture, the term tradition has been used so often and in so many contexts that, as Shils (1971) suggests, it may not have any meaning at all” (Shanklin 1981:86). The complaint that “tradition” suffers from an irremediable surfeit of meanings, from that dreadful academic disease of polyvalency (Ben-Amos 1984:125), doesn’t concern me much here – I assume that multiple meanings will be an issue wherever there are multiple people, which I hope is pretty much everywhere. McDonald (1997:47) has noted that a number of scholars would be keen to be rid of the term “tradition” altogether, eager to claim that the term has little heuristic value, declaring that the notion of “tradition” leaves us with little room for sustained and sustainable analyses.

I’m not ready to give up on it altogether, though. In this essay I am “in search of “tradition”.” I am exploring the notion to come to an understanding that for me will be personal, meaningful, and analytically helpful. I want to be able to work with an understanding of “tradition” that allows me to make sense of my relationship with my father and his death as much as it helps me to make sense of the conversations, communities, and contexts of, say, “Irish traditional music”. I want to be able to think of the notion of “tradition” as a way to ground myself in socially responsible action, as a way to facilitate thoughtful analysis and political engagement, as others have explored (e.g., among many, Abrahams 1993; Glassie 1993, 1995; Mills 1993; Paredes 1995; Siikala et al 2004).

Lynne Tirrell has written that; “When women try to articulate our lives, what we try to give is more like an account than a definition. We try to tell true stories about who we are, what we know, what the world has been like for us, and what we would like to see it become” (1993:11). In a similar sense, I do not seek to offer a definition of “tradition” here, but rather present a brief account of my attempts to use the term “tradition” as a catalyst for thinking about social action and social interaction. I try to think about definitions as descriptions of some uses of a term (offered by particular people in particular places), not prescriptions for all uses (applicable to all people in all places). I suppose this article is more the beginnings of a project of clarification and self-explanation. I am not interested in what “tradition” is. I am interested in what “tradition” can mean.

A wish-list

My clarification process rides the tension between the questions, “What’s important to me?” and, “What would I like to be important to me?” In this spirit, I have compiled a wish-list for my understanding of the term “tradition”. This list gives some indication of the conversational work that I would like my understanding of “tradition” to perform.

I join Dell Hymes (1975) in thinking of “tradition” as rooted in social life, in noting that the “traditional” can begin with the personal. I like when Barry McDonald writes, “I consider tradition to be a human potential that involves personal relationship, shared practices, and a commitment to the continuity of both the practices and the particular emotional/spiritual relationship that nurtures them” (McDonald 1997:60). I join Craig Calhoun when he asks that “we go still further beyond the Enlightenment’s historicist opposition of tradition to modernity and see tradition as grounded less in the historical past than in everyday social practice” (1983:888).

I’d like to work with an understanding of “tradition” that can be always-already ethical. I don’t mean in terms of absolutes of right and wrong, or in terms of moral authority. I mean ethical in the sense that we can become more accountable and responsible for our part in the play of influences in each other’s lives. What can we learn from any situation with regard to what it might mean to be human, and with regard to the context of withness in which we always-already operate? How might an understanding of “tradition” open up conversations about the personal as the political? (e.g., Mauzé, ed. 1997; Langellier 1989; Ritchie 1993; Lee 2007; Peavey 1986, 2000).

It is in this sense that I’d like my understanding of “tradition” to facilitate broad discussions about different qualities of learning, education, and pedagogy. “Tradition” can open up conversations about the constitution and co-construction of social identities. On the one hand, I would like my understanding of “tradition” to leave the door open for discussions of “symbolic violence” and “pedagogic authority” (Bourdieu and Passeron 1990), and of the control, legitimation, and institutionalization of objectified meanings (Berger and Luckmann 1966). On the other, I’d like my understanding of “tradition” to invite me into conversations about possibilities of transformative learning, including feminist pedagogy (e.g., Lynda Stone, ed. 1994; Luke and Gore, eds. 1992), critical pedagogy (e.g., Paolo Freire 1998; Ivan Illich 1971), local and informal education (e.g., Smith 1994), and anarchist pedagogy (e.g., Matt Hern, ed. 2008; Jensen 2004).

I’d like to join Henry Glassie in thinking that “tradition” can open up a conversation about learning and futures, and about relationships with those who have passed, those who are here, and those who are yet to come:

“It is a rich word, lacking an exact synonym, naming the process by which individuals simultaneously connect to the past and the present while building the future. So tradition can label the collective resource, essential to all creativity, and in adjective form it can qualify the products of people who keep faith with their dead teachers and their live companions while shaping their actions responsibly” (Glassie 1993:9)

Glassie offers no definition here, and I think that’s the point. In my experience, defining tends to close conversations down, and what Glassie is trying to do here is open a conversation, announce what might be considered an ecological orientation – Glassie’s conversation about “tradition” is also a conversation about distinctly interconnected and helpful relationships.

For Barre Toelken, too, “tradition” seems to speak to the differences that the past, the pre-sent, can make on our present, personal lives: “Tradition is here understood to mean not some static, immutable force from the past, but those pre-existing culture-specific materials and options that bear upon the personal tastes and talents.” (1996:10). Implicit in this is the continuation of such a process in future lives. But Toelken’s understanding of “tradition” here doesn’t require that “tradition” be considered always-already helpful or salutary.

I don’t want to find myself in a situation where I champion “tradition” as an unqualified good, and neither do I wish to denigrate “tradition” as an unqualified bad. In any particular context of use, I’d like to lift up the term and look underneath it, to gauge the attitudes and meanings experienced by the people concerned. I’d like my understanding of “tradition” to remain context-sensitive, something perhaps most notably invited by Paredes and Bauman’s collection New Perspectives in Folklore (1972). Another way of saying this is that I’d like my conversations about “tradition” to remain always-already “peopled”, with a wish that they would actively let me work against depeopling abstractions.[2]

I’d like to eschew discussions about “tradition” that come without contextual or adjectival qualifiers. Adjectives can uncover the attitudes behind meanings, and can thereby uncover the presence and participation of people in the construction and maintenance of particular understandings of “tradition”. In mind of Ben-Amos (1971), I want to ask: What kinds of “tradition”? Whose “traditions”? When? Where? How? Why? With what effects? Without an understanding of “tradition” that involves people, psychologies, interactions, and relationships, it would be hard for me to make sense of my own life in terms of “tradition” at all.

In this sense, I want to work with an understanding of “tradition” that leaves me nowhere to hide. I want to work with an understanding of “tradition” that challenges me to remain transparent to myself in my specificity. Can it invite me to consider the quality of relationships that I experience with others? Can it support me in considering the ways I or others influence each other or always-already make a difference? Can it sink me deep into conversations about consequences and effects of power? Importantly, can it make visible aspects of life that I or others might wish to suppress, deny, denigrate, or silence?

I want to work with an understanding of “tradition” that keeps conversations open enough to encompass the whys and wherefores of “traditions of hate”, “traditions of prejudice”, and “traditions of killing”. It is important that the more toxic possibilities of being human get included in the discussions that “tradition” can open up. Does it make sense to celebrate such practices (e.g., militarism) because they are “traditional”, and thereby inherently good? Should we treat them with a casually descriptive empiricism, and bask in the glow of academic self-satisfaction? I don’t want my understandings of “tradition” to immunize me against consideration and critique of our most toxic possibilities. The notion of “tradition” is of little use to me in scholarly analysis unless it can prise open the cans of worms, provide a GPS-location device for the elephants in our rooms, and support and encourage the wisdom of the child who proclaims the nakedness of the emperor.

Words of caution 

Dan Ben-Amos (1984:118), following Richard Bauman, draws attention to the ways that the agencies of “tradition” are often located somewhat externally to human beings and human relationships, as conversations about independent, reified forces and forms. There are two workaday approaches to “tradition”, in this regard, that I will remain cautious about. The first is the use of discourses of resource management in descriptions and explanations of “tradition” and processes of “tradition”. The second is the common characterization of “tradition” as prescriptive invariance. Resource-management and prescription-invariance approaches to “tradition” do us few favours, serving to depoliticise the conversational terrain, and fostering and facilitating damagingly reductionist stories about what it might mean to be human.

Resource management

Notwithstanding the subtleties of multidisciplinary conversations about “tradition” (see, e.g., Bronner 2000; MacDougall 2004; King-Dorset 2008; Fisher 1993), resource management discourses still constitute a very common class of conversations about “tradition” in academic writing (see, e.g., Shils 1981; Honko 1991; Vansina 1965, 1985).[3] Metaphors, allegories, and narratives of identification, delivery, passing on, handing on, inheritance, collection, containment, extraction, use, access, control, ownership, allocation, storage, inventory, preservation, adaptation, and dissemination abound (see, e.g., Grieve and Weiss 2005). “Tradition” in such conversations can easily come to be thought of in terms of transactable, storable, or manipulable units or commodities.

Subsequently, resource management conversations about “tradition” tend to fit snugly into the conduit metaphors (Reddy 1979) of communication models of “transmission”. “Transmission,” in many of these formulations, can well be reconsidered as one-way (primarily intergenerational) transactions, whereby people become merely the conduits for the more or less efficient delivery of knowledge from the past to the present and on to the future.

In my reckoning, resource management approaches to “tradition” tend to embed clunky metaphors that may well be fine for casual conversation but which can be quite misleading if naturalized in the process of analysis. In very basic terms, I wouldn’t say that any thing ever passes across space between people when we are talking about songs, tunes, poems, stories, or knowledge. To say that there is something that is “passed on” seems to act as metaphorical shorthand for a far more subtle process of learning and presence and interpersonal alignment that takes place. But to stay with the shorthand, to accept the notion of “passing on” as a naturalized description of transactions, seems to me to invite limits to our imaginings about learning contexts, and also of the possibilities of “tradition”. “Passing on” or “handing on” seem to merely embed an acknowledgement of connectedness without leaving much analytic space for the qualities of that connectedness. This is not necessarily the case, of course; there are many people who live richly connected lives for whom “tradition” as “passing on” makes a lot of sense, and there have been many studies grounded in notions of “transmission” and “passing on” that provide rich socio-cultural analysis (e.g., McCoy, ed. 1989).[4] It’s not that I’m trying to eradicate such terminology from my work or my life (and certainly not from anyone else’s), it’s just that I think I need to be vigilant about the subtle weightings and gravities that might steer my analysis away from a desired primary focus on learning, relationships, and ethics.

Tunes, songs, stories, or information can easily be considered in terms of their abstracted, formal, characteristics. Once abstracted, it is very easy to consider them as resources, and it is very easy for the abstractions to be reinforced by the materiality of texts, manuscripts, and recordings. When the going is good, the resources often get well cared for, well stored, well considered. Even then, however, the people from whom the resources were extracted, the stories of their lives and the vast array of what’s important to them, or adequate appraisal of social and political context, can easily come a distant second, if they get considered at all, as evidenced by vast quantities of published tune, song, and story collections. A mere suggestion of biography and humanity might well be taken as a radical move in the face of all those published collections of stuff where people seem to have been sucked out from between the pages to leave a more conventional and pervasive inhumanity. All too easily, people become merely “tradition-bearers”, the containers of resources and the conduit-facilitators of transmissional transactions. All too easily, talking to people about what’s important to them in their lives becomes “collection”, conceived of as the resource-extraction of raw materials. All too easily, speaking about cultural reservoirs or the heritage of the past becomes a way to usher in what I have elsewhere called a phantom nationalism (see McCann 2010 fc), as imagined storage facilities buttress imagined communities (Anderson 1991).

Prescriptive invariance

A second memo-to-self about “tradition” concerns the frequent equation of “tradition” with some sense of prescriptive invariance. Handler and Linnekin have written that “tradition cannot be defined in terms of boundedness, givenness, or essence” (1984:273). Of course it can be. All it takes is for someone to define “tradition” in this way. Not only that, but I would suggest the assumption that “tradition” refers to some sense of prescriptive invariance is still quite a common one, offering “rule-governed models that inculcate behavioral values and norms in such a way as to make those practices, values, and norms, even and especially those of relatively recent origin, appear continuous with the past” (Grieve and Weiss 2005:10). Perhaps the two most influential statements characterizing “tradition” as prescriptive invariance are offered by Weber (1921/1968), and Hobsbawm and Ranger (1983). These are not views of “tradition” that I am going to embrace wholeheartedly as a political position.

Needless to say, both of these positions are coming from critiques of “tradition”. Negatively coloured prescriptive-invariance understandings of “tradition” offer little room for agency, and little middle ground. On the one hand, the iron cage of tradition, on the other, freedom. Another option, static “tradition” faces off against gloriously dynamic modernity; or thoughtless “tradition” falls before progressive rationality. Whichever you choose, when prescriptive invariance is being critiqued in analyses of “tradition”, it is hard for “tradition” to come off as anything but second best. These understandings of “tradition” tend to be premised on the eternal victory of the Other of “tradition”. This is not going to help me much.

Prescriptive invariance is also to be found in the promotion and promulgation of “tradition”. In such situations, adherence to “tradition” can mean “an orientation towards an imagined timeless community, borne of the desire to submerge one’s personal identity into a larger community that transcends that individual” (Grieve and Weiss 2005:3), “a commitment and a duty to a community that existed in the past, exists in the present, and will continue to exist as long as its members do not abandon it” (ibid.). Often framed as “traditionalism”, this kind of approach easily conforms to what might be termed “traditional closure”, whereby ”tradition” comes to assume for people the character of an unqualified good. This tends to effect an apparent separation of “tradition” and, in particular, “traditional” teachings, from the contingencies of social and political life, allowing “tradition” to appear autonomous, value-free and politically-unattached in its transcendent timelessness.

As with negative positions, positive prescriptive-invariance understandings of “tradition” leave little room for agency and no middle ground. They imply an agency that is limited to a clear choice of decision-making – acceptance or rejection. Viewed from the positive logic of prescription, on one side lie the enticements of inclusion and community, intensely consolidated with the emotional weight of duty, loyalty, and uncritical obedience. On the other side lie exclusion and ostracization, combined with the intense emotional weight of isolation, outsider-status, guilt, and betrayal. Once again, these are not qualities of “tradition” that I am keen to champion.

Where there is an expectation of invariance in the study of “tradition”, variance becomes notable and worthy of explanation. But, as Stuart Hall (1997) has suggested, it is not so much identifications of variance as it is declarations of invariance (any assertion that meaning can be fixed), that demand explanation, if only for their implausibility. The temptations of timelessness in academic analysis have not gone unnoticed (Fabian 1983; Duara 1998; and many more). This tendency to think of “tradition” in some way as the freezing of time suits urgent discourses of preservation in the face of change, decay, and ephemerality (see Reason 2006). In this light, some have gone as far as to suggest that, “The desire for tradition is thus also a desire for immortality” (Grieve and Weiss 2005:3; see also Becker 1973).[5]

 

Consequences?

We have archives, histories, institutions, and communities of academic discourse and academic practice to support the apparent adequacy of resource-management thinking. We have doctrines, texts, rules, institutions, and systems of formal schooling to support understandings of “tradition” as prescriptive invariance. But understandings of “tradition” that would reduce my experience of learning and withness to discussions about things, transactions, conduits, texts, and obligations, just don’t feel right to me. There’s a sense of missing, of not-enough, and significantly so. There’s a strength, a robustness, a relational substance to what I think about when I use “tradition” as a gateway to reflection. I lose that with resource management and prescriptive invariance. The poetics don’t fit. Lynne Tirrell uses the phrase, “experiential dissonance” (1993:25). That sounds about right. I want more heart in my conversations. I want more people in my conversations. I want ways of talking and writing that sit more intimately with my life.

This wouldn’t matter so much except that academic and institutionally-legitimated ways of thinking, speaking, and writing about “tradition” frequently work to privilege certain perspectives and disempower others: “In its most obvious sense discourse authorises some to speak, some views to be taken seriously, while others are marginalised, derided, excluded and even prohibited. Discourses impose themselves upon social life, indeed they produce what it is possible to think, speak, and do” (Hunt and Wickham 1994:8-9). Wherever we foster and facilitate a focus in “tradition studies” on either resource management or prescriptive invariance, to the detriment of a focus on people and personal relationship, I believe we have been engaging in what I have termed elsewhere “discursive feedback” (McCann 2005). I use this term to speak of a process Michel Foucault (1972) has described as systematically forming the objects of which we speak.  The “traditions” that we speak of increasingly come to fit only those understandings with which we initially approached our research.[6]

One clear consequence of such approaches is that the authority for making sense of those most visible “traditions” comes to rest firmly with the resource managers and the identifiers of invariance. Those with academic, organizational, and institutional status come to be recognised as being more able to make sense of local “traditions” than local people themselves. Those with a greater ability to sculpt words and document texts easily think of themselves as the privileged guardians of knowledge and the priestly class of any imagined community of “tradition”. Within a resource-management, information-transmission model of “tradition”, It is very easy to pass responsibility for “tradition” over to the experts, to those who are professionally trained and responsible for preserving information – academics and archivists. If it’s all about protecting the information for future generations, then who better to do that? How better to do that?

“Tradition” as a notion, then, easily becomes the facilitator of hierarchies of knowledge, the privileging of institutions, the inscription of texts, and the diminishment of the agency of people in the less formalised contexts of local communities. The variations and nuances of lives lived can become subordinated to the more coherent and regular knowledge constructions of centralized authorities. People can be left to struggle with what Audre Lorde has referred to as “the restrictions of externally imposed definition”(1984:121). Alternative understandings of “tradition”, that is, locally-negotiated understandings of “tradition” that don’t fit within the dominant paradigms, can easily become discursively invisible and politically irrelevant.

Resource-management or prescriptive-invariance models of “tradition” leave us with reductive stereotypes about the learning we experience in the company of others as we bear withness. But they are not to be summarily dismissed, for, as Nigerian writer Chimamanda Adichie has said, speaking of “The Danger of the Single Story”; “the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story” (Adichie 2009). The overlain binaries of tradition-modernity, passive-active, conservative-dynamic, static-changing, communalist-individualist, do not tell the whole story, as many have noted before. Wherefore the understandings of “tradition” that allow purveyors of such binaries (even or especially if that includes me) to stand transparently as traders in partial and misrepresentative “single stories”? (or should that be “double stories”?). I would like an understanding of “tradition” that invites me to dissolve the worst excesses of modernization theory and detraditionalization hypotheses (see Heelas, Lash, and Morris, eds. 1996), which strike me as quite disrespectful of many people’s attempts to sustainably maintain continuities of learning and wisdom in their own localities and communities (see Prakash and Esteva 1998; Mauzé, ed. 1989).

If you wish to live “tradition”, these conversations, these narratives, such claims about “tradition”, don’t leave you with much of a choice. You mainly get to choose among various worlds pervaded by determinism: worlds of prescription; of storage and retrieval; of unthinking repetition; of unquestioned ideology and unquestioned authority. You could also opt for or a world of despair as you passively watch what you love inevitably disappearing in the face of active change and a steamrolling modernity, while clambering to preserve it in the face of impending and irreparable silence.

Those aren’t terribly attractive propositions, in my reckoning. And for denigrators of “tradition” and the “traditional”, perched like vultures, such stories serve “tradition” up on a plate, ready to be chewed up and spat out. This is made particularly clear by the statement of manifest destiny that was hoisted as a motto in Bureau of Indian Affairs boarding schools across the United States in the 20th century: “Tradition is the Enemy of Progress” (O’Sullivan 2001). People often find that their lived ways of thinking and doing become subordinately represented as passive, atavistic, or conservative in the face of rhetorics of modernity, innovation, or progress (see McCann 2010 fc).

The workaday discourses of “tradition” mentioned above can wrench political possibilities out of our grasp. This discursive depoliticization first of all allows for the irrelevancy of “tradition” to social and political thought, but secondly, and more importantly, fosters and facilitates the political marginalization of those people and communities who might, in turn, be considered or consider themselves “traditional”. Muana (1998) has identified this issue as being a core concern in the revival and/or preservation of “traditions”.[7]   People often reach for notions of “tradition” to speak of ways of thinking and ways of doing that were and continue to be important to them, especially when they feel that the persistence of their ways of life may be under threat by particular kinds of unhelpful social change (see Mauzé, ed. 1989, or Grieve and Weiss 2005). At such times, many people would like to speak about feelings of encroachment, a sense of injustice, anger about misrepresentations of what they believe and stand for, or maybe express their sense of deep relational connection with those who have gone before and who are yet to come. These deeply felt, profoundly emotional ways of thinking about “tradition” are not readily articulable if the ways of speaking about “tradition” centre on resource management or prescriptive invariance. The temptation is great, however, to accept the terms of discussion, and to join a reductionist dance that does violence to the experiential richness of what we can and do learn from those around us, both helpfully and unhelpfully. Fundamentally, workaday understandings of “tradition” can frequently leave little room for heart, for love, for people, or for hope.

Models of “tradition” based in resource management and prescriptive invariance also leave hardly any room whatsoever for legacies of learning where questioning and critique are actively encouraged. They leave little room for us to speak of the courage that we learn from others to speak up and speak out, to face up to uncertainties, to challenge oppression (see Eyerman and Jamison 1998; Fisher 1993; King-Dorset 2008). They do not easy facilitate conversations about agency, about uncertainty, about challenges, about learning to make sense of life for yourself. They don’t allow us to account much for the considerable differences that might develop between the lives of our most influential teachers and our own lives. Sometimes our greatest learning from another becomes the least visible. Sometimes what we get from somebody else is a learning about what we don’t want to do, what we don’t want to think. Those people are our teachers, too. Understandings of “tradition” as “that which is handed on” or “that which we must do” don’t in any way encompass those conversations.

Resource-management and prescriptive-invariance understandings of “tradition” leave us none the wiser in the face of aggressively intensifying social and environmental changes such as accelerative commodification, aggressive corporate industrialization, or climate change. They offer little room for voices of resistance or discontent. Understood as the transmission of single units, the units themselves do not contain their alternatives. Understood as aspects of people’s lives, they might. Understood as prescriptive invariance, thinking of “tradition” as the foundation for radical political alternatives becomes simply ridiculous. The mere acceptance and collation of “tradition” as “that which is given” can over time constrict the social imagination of other possibilities, of other ways of thinking, of other ways of being. Little wonder that people, particularly people of younger generations, often think that the only possibility to effect some sense of agency in the context of conversations about “tradition” is to radically separate themselves from what has been pre-sent, from the already-given. In what other ways can we continue to develop workday discourses so that “tradition” can serve as a term that speaks of meaningful yet non-oppressive forces for personal and social transformation in our own lives and in the lives of our children?  Surely we can continue to find more helpful ways to think about “tradition” in the context of the social, political, and environmental challenges that people face?

“If we do not accept the distinctions drawn around (and across) us, then we must draw some of our own” (Tirrell 1993:11).

Neil Postman advises that the best way to free our minds from what he calls “the tyranny of definitions” is to provide alternative definitions, in an understanding that definitions can be considered “instruments designed to achieve certain purposes” (1996:183). Bill Ashcroft asks that “We can take these dominant discourses, and transform them in the service of our own self-empowerment” (2001:1). Following Michael Reddy’s critique of the effect of the conduit metaphor on thought processes among speakers of English, I find myself with a need for other stories about “tradition”, so that the deeper implications of resource-management and prescriptive-invariance understandings of “tradition” can be drawn out by way of contrast (1979:292).

I thought a lot about “tradition” during the final months of my father’s life. Here was a man who had been my mentor and my friend, a touchstone for my thinking, a sounding board for my philosophical explorations. My Dad. Here we were, in the space between here and gone. Sitting with my father I understood a little better some of the emotional realities that these terms allow us to signpost for ourselves and others. For me, if the term “tradition” is to mean anything, it is to help me make sense of the question, “What have I learned from my Dad?” and, in turn, to open up the question, “what might I like my kids to learn about life?”

After many months of reflection, I finally decided that I was happy that the following understanding of “tradition” might allow me to open up the kinds of conversations I want to be part of:

“Ways of thinking and ways of doing, considered within a learning context of relationship or community.”

This isn’t offered as a definition. I find definitions tend to reduce authorities for meaning, and establish hierarchies of knowledge, position, and perspective. Instead, it is offered simply as a positioning. For that positioning I shall remain accountable and responsible. This is what I would consider a helpful understanding of “tradition” in my own life. I may change it as I go along, but for the moment, I’m happy to work with it.

This understanding allows me to foreground and privilege people and their practices. I have not mentioned “things” in my understanding of “tradition”, primarily to leave a conversation open about reification, commodification, and thingification, considered as practices and particular (and peculiar) qualities of relationship.

This understanding invites me to consider conversations about “tradition” as also being conversations about learning. For a while I used the word “educational” in place of “learning”. I default to “learning,” as conversations about “education” tend to be dominated by discussions about formal, institutional learning, sedimented with hierarchies of knowledge and authority, and saturated with resource-management models of transmission. This isn’t necessarily the case, but I find that “learning” opens up a relationship-privileging, and agency-privileging perspective. It can also easily include both institutional and informal contexts of learning.

Fourth, the inclusion of “context” is to invite me to specificity. I want my understandings and analyses of “tradition” become always-already “peopled”, always-already relational. In this way, a conversation about “tradition” can become for me a series of challenges and questions about what it might mean to be human. I want to work with a notion of “tradition” that invites particularist analysis, that draws me down to the specificities of people’s lives, and thereby to the specificities of my own:

“If we are ever to remember what it is to be human beings, and if we are ever to hope to begin to live sustainably in place (which is the only way to live sustainably), we will have to remember that specificity is everything. It’s the only thing we’ve got. In this moment I’m not abstractly writing: I’m writing these specific words on this specific piece of paper using this specific pen, lying on this specific bed next to this specific cat. There is nothing apart from the particular. Now, I can certainly generate abstract notions of writing or humanity or cities or nature or the world, but they’re not real. What is real is immediate, present, particular, specific” (Jensen 2004:60).

As Abu-Lughod (1991:154) has noted, by focusing on particular individuals and their changing relationships, we can subvert the problematic temptations of homogeneity, coherence, and timelessness in our analyses. This is as important in conversations about “tradition” as it was for Abu-Lughod in conversations about “culture”. By giving context due weighting in conversations about “tradition”, I remind myself that I am interested in the always-already hereness of relationship. I remind myself that casual abstractions can easily distance me from the nuances and subtleties of relationship that would otherwise challenge me any time I felt abstraction was a helpful way to proceed.

Epilogue

It is not necessary that “tradition” remain marginalised within the social sciences and humanities. As Grieve and Weiss write; “tradition can be analysed as a strategic tool of cultural critique” (2005:15).  Conversations catalysed by the term “tradition” can include conversations that have been, and remain, central to the concerns of critical social thought: power, agency, domination, oppression, expansionary social dynamics, violence, capitalism, commodification, ideologies, education, gender, socialization, interaction, identities, social structure, social change, and social transformation (e.g., Paredes 1995; Mauzé, ed. 1989; Muana 1998; Mills 1993; MacDougall 2004; Langellier 1989; King-Dorset 2008). What’s more, they can let us engage with these issues from deeply peopled and particularist perspectives. As this happens, though, it would help to acknowledge the power of resource-management and prescriptive-invariance thinking in discussions about “tradition,” and to respond to the limitations that such emphases can shackle us with. May and Powell have suggested that social theory can allow us “to examine taken-for-granted assumptions, explore the basis and content of interpretations of the social world, its structural dynamics and the place of human agency within it” (2008:1). Conversations about “tradition” can continue to facilitate such examinations and explorations.

If I understand my own “traditions” as ways of thinking, ways of doing, considered within a learning context of relationship or community, then I could consider myself to have come from a “traditional” family, indeed, anyone could. I don’t get any sense of status or superiority after claiming this for myself, but it does feel like the beginning of a whole range of exciting conversations. How have I learned in the company of both my parents? How have I learned in the company of my siblings? My friends? My lovers? How do I happen to be how I am and not some other way(s)?

And, crucially, what might I like my kids to learn about life? (should I ever have kids) What emotional climate and learning context would I work to provide for them? How might I encourage them to think about authority, about questioning, about working things out for themselves? How might I invite them to think about different qualities of relationship? About friendship? About love? About family? About relatives? How might I open up questions for them about their relationship to conflict, structural violence, oppressive systems, and social injustice? How might I encourage them to remain considerate of people that have passed on and of people who are yet to be born? How might I invite them to consider their role in social change and helpful social and political transformations? How might I encourage them to dream?

“What might I like my kids to learn about life?” invites a positioning, not only about which kinds of “traditions” of learning might be possible, but which might be preferable, which might be more helpful. Which in turn invites the questions, “more helpful for what?” and “according to what criteria?” I can continually return to clarify both what has become important to me, and what I would like to be important to me, being careful who I pretend to be for that is who I may become, and whom others may learn from. I can become more accountable and responsible for my place in lives of interpersonal and intergenerational learning, holistically considered.

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[1] My sincere thanks go to Jamie Heckert, Lawrence Holden, and Tes Slominksi for their assistance in helping me make sense of these conversations. Thanks to Keola Donaghy and Dorothy Noyes for help in literature searches. Special thanks go to Kristin Kuutma and Monika Tasa of the University of Tartu for their patience, and all at the Tartu Folklore Summer School for their conversations, feedback, and company. Thanks also to the anonymous reviewer who lead me to reassess an earlier version of the article.

[2] As Neil Postman has written, “Meaning is not in words. Meaning is in people, and whatever meaning words have are assigned or ascribed to them by people” (1996:183).

[3] I have elsewhere made a more sustained critique of discourses of resource production and management and their relationship to processes of enclosure and commodification (McCann 2005).

[4] There are too many to list. Among the books closest to me on the shelf are Marie McCarthy’s Passing It On (1999) and Lillis Ó Laoire’s On a Rock in the Middle of the Ocean (2005).

[5] There may be other implications, however, particularly in relation to issues of agency; as Virginia Dominguez has suggested; “When we assert the need to salvage, rescue, save, preserve a series of objects or forms, we announce our fear of its destruction, our inability to trust others to take appropriate action and our sense of entitlement over the fate of the objects. Our best liberal intentions do little other than patronize those slated for cultural salvage” (Dominguez 1987:131).

[6] “The powerful normally determine what is said and sayable. When the powerful label something or dub it or baptize it, the thing becomes what they call it” (Frye 1983:105).

[7] “The researcher may … find it difficult to reconcile the conflictual fit between his/her analytical parameters and the perspectives of the ‘native’ being investigated (Muana 1993). This has never dissuaded some researchers from asserting that they are ‘ventriloquizing’ for the native (Ritchie 1993). This practice of ‘de-voicing’ the native has implications for the status of the interpretations and conclusions reached by the researchers” (Muana 1998:52).

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“Crafting Gentleness: The Political Possibilities of Gentleness in Folkloristics and Ethnology” – an amended transcript

Presented at Reflecting on Knowledge Production: The Development of Folkloristics and Ethnology, an international conference organised by the Estonian Literary Museum and the University of Tartu Department of Literature and Comparative Folklore. May 17-19, 2007.

Hello.

[I was nervous. I wasn’t reading from a page this time. Some notes, but no set text to work from. I told myself that I should have some idea what I want to say after eight years of researching this. They looked friendly enough. But I’m not standing up and speaking any more. I’m writing now.  Déanaimis teangmháil. Let’s connect. Let’s communicate. Let’s get in touch. Well, no, no touching. Looking. Reading. I’m not really with you now. Am I?]

Why don’t I just leave all those people alone?
Why don’t I just stay at home and read?
Why don’t I just let all that stuff go? I’ve already got too much stuff in my life; too many books, too many things; why don’t I just let it all go?
Why do I have to remember everything? Why do I have to write down everything other people remember? Why do I have to even bother talking to people?
Is my desire to collect greater than my desire to respect?
Is my desire to record greater than my ability to just be present with people?
Is my desire to write greater than my desire to listen?
Is my desire for knowledge greater than my desire for wisdom?

An Irish fiddler, Paddy Cronin, was being interviewed at a summer school called the Willy Clancy Summer School a number of years ago, and he was asked what he thought about young people playing traditional music and he said something like, ‘they’re not playing traditional music, they’re collecting tunes’.

Jean Ritchie was up for a National Heritage Award in the United States and as she was accepting the reward she was asked something to the tune of, would she like to be remembered as a singer?, and she said, no, she wouldn’t like to be remembered as a singer, she would like to be remembered as a person who sings.

[Juxtaposition. Little wordpictures alongside each other. They’ll do quite a bit of shimmering on their own if I allow them to hold the space together. I tell myself that it’s an exploration of poetics – poetics, not just causality. Poetics, not just causality. Stories can rhyme too, rhyme and chime. Sound them out. A little bit of  shadowplay.]

I was working with some students this year on a folklore course and a number of them came from an Irish language speaking district of Donegal, an area that had been the focus of a lot of collecting work in the nineteenth century, and I introduced them to the philosophies of a number of the people who had been doing the collecting. I introduced them to the idea that a number of these people considered people from their own communities as ‘resources for tradition’ as ‘raw materials for the nation’ and a couple of my students got very angry. They thought that quite a number of people at that time in the nineteenth century might have got very angry if they had known that that is how these people, the ones doing the collecting, thought about them and their lives, and about what was important to them.

I was reading an article recently by Ríonach Uí Ógáin, a folklorist based in Dublin, and she’s been doing a lot of work on the field diaries of Séamus Ennis, and she recently published a book, a magnificent book, which is mainly in the Irish language, the diaries of Seamus Ennis. But she has this very nice article published in Béaloideas, the Irish folklore journal, about the relationship between Séamus Ennis and Colm Ó Caodháin, who was a person who lived in Conamara who Séamus identified as someone with whom he could work to collect songs and stories and various other things from. But there’s one line in the article, and in the diaries of Séamus Ennis, which sits with me and makes me very sad. Séamus Ennis had a wonderful relationship with this man by all accounts. By the accounts of the diary he was a great friend of his. He more or less lived with him on many occasions and was invited by Colm to live with him semi-permanently at one point. But there’s one point at the end of his diaries in relation to Colm where he says, ‘Bhí mé réidh leis’. ‘I was finished with him.’ He’d done all the collecting that needed to be done; it was time to move on. ‘Bhí mé réidh leis’.

The ethnomusicologist Kofi Agawu has a line in the middle of an article that he wrote, where he says, ‘the imperial urge dies hard’.

I was once speaking to someone, I was working as a music journalist, and I was speaking to someone about various things, and interviewing her, and in the middle of the interview we stopped talking about what we were talking about and the attention turned to myself and my own family, and I let it slip that my parents didn’t sing traditional songs or play any instruments, and she goes, with a little disappointment, if not disdain, ‘Oh. I thought you came from a traditional family.’

[That set me off, although I said nothing at the time. I’ve learned since to make it more obvious when something annoys me. I must have spent a year thinking about what this woman said, mulling it over in my head, wondering why it had irked me so, wondering what I understood by the term ‘traditional’]

I was sitting beside the sociolinguist Joshua Fishman at a conference a number of years ago and it was about a year from the end of my Ph.D. and he turned to me and asked what I was working on, and I babbled my Ph.D. abstract back at him in rather large prose. In the middle of it he just put his hand up in a sign for me to stop, and said, ‘Speak to me as if I’m your grandfather.’

I had two grandfathers. One grandfather was named Joe; he worked in quarries; he worked as a postman; and a baker at one point; a quiet gentle man by my Dad’s account. My other grandfather was called Johnny; a farmer, apparently a very smart man, with a sharp wit; he sang many songs, many long songs. I didn’t know him very well because when I was growing up I was scared of old people, and he was an old person. But I’m guessing that neither of my grandfathers and neither of my grandmothers would have much time for people who couldn’t communicate with them respectfully. And part of the work that I’m trying to do at the moment is, in a sense, to honour them; to honour the relationship I have with grandfathers Joe and Johnny; with my grandmothers, Kathleen Edith and Mary; with my parents, John and Teresa; and with the rest of my family who are too numerous to mention. And I think that’s very, very important for me at the moment, to consider this relationship with the people in the communities where I live, the people in the community of family in which I have grown up. It’s important for me to consider the ways in which, as an academic, I have been conditioned and trained to write in ways which could often be regarded as very disrespectful if I were to be standing here speaking to them.

[I suppose part of the point is that I’m often not standing here speaking to them. But I’d like to be. Maybe it will take a while. Any disrespect was never meant. There are simpler ways to say what I’d like to say, although it may take me many more years to come down from the abstractions that I love so much. I’ll give it a try, anyway. And I’ll practice. And I’ll be more patient with myself, maybe take fewer shortcuts on the way to my next potentially unnecessary insight. Is é an bealach mór an t-aicearra. The main road is the actually the shortest way there.]

Why do I do the work that I do?

I don’t regard myself as a folklorist, I don’t regard myself as an ethnomusicologist, I don’t regard myself as an anthropologist. I regard myself as a person who sings songs. I regard myself as a person who practises some of the methodologies of anthropology, ethnomusicology, and folkloristics. But one of the reasons that I do the work that I do is because I regard any academic position, any role as a professional thinker – someone who is paid to think thoughts about life and about human beings – to be a very, very privileged position, and to be one which is deeply political whether we like it or not. We’re the professional thinkers. We get time to think about the world. We get time to think about life. Not many people get as much time as we do. There’s a lot of violence in the world. There are people getting blown up. There are people getting murdered. There are people getting raped. There are people dying all the time. People die. It happens. But I think we do have an opportunity as professional thinkers to really take that responsibility very seriously, that we do have a part to contribute to the diminishment, the lessening of dynamics of violence, coercion, fear, anger, hate, domination, and oppression in the communities in which we live.

[As I read back on these words, I am drawn to mention Derrick Jensen’s book, A Language Older Than Words. It’s a book I recommend with caution – it’s a magnificent piece of work, but it demands a robustness from you as you read it, an emotional vulnerability with armour at the ready. Where does our impulse to commit violence against violence come from, and how can we come to a better understanding of our participation in violence, silence, and denial? How can we come to face the destruction we so specialize in as human beings? I’m not sure I would follow Derrick in some of his more recent conclusions, but in this book he raises questions that are important to sit with, and respond to.]

In our disciplines [speaking to an audience of folklorists], many of the practices that have been undertaken in the name of the things that we do have contributed to domination, to oppression, to anger, have not helped a lot, and there’s a lot of damage reparation and damage control that tends to go on in the work that we do. And the silences and exclusions that have been a consequence of the work that, for example, folklorists have done, and the silences, exclusions, and blindnesses that tend to be structured into the work that we often continue to do, are not accidental. They tend to be a consequence of the epistemologies that we use, and we talk about epistemology quite often, but we don’t really have any open discussions about epistemology.

[A did a little digging in the last few weeks, for another discussion in another place. I was looking for discussions about epistemology in anthropology, particularly in relation to the notion of ‘participant-observation’. There’s not an awful lot out there. What I found quite interesting, though, was that most things labelled ‘epistemology’ were really just cloaked discussions about methodology. What’s with that?]

Epistemology is sort of like pedagogy. We’re teachers, but we very, very seldom talk about what pedagogy means for us and what it can mean for us. Similarly, we very, very seldom talk about what epistemology might mean. [I didn’t really say much about this myself in my original talk. What I mean by the term is the study of how we know what we know, or what we understand as ‘knowledge’ or the knowable. Some might even go as far as to say that it’s the study of our basic assumptions about reality, but I’m not sure I want to push it that far today.] And too many times our epistemologies are still grounded in Kantian, Platonic, Hegelian, etc. etc. etc. Euro-American, ‘Western’, whatever you want to call them, models which are deeply fragmented at their heart, in terms of subject-object dichotomies, in terms of various ways of thinking about the world which, from our starting assumptions, often shut down the heart, shut down any sense of holistic relationship and often leave us in a position where our very starting points desiccate our work. And what I’m interested in is the way in which, in thinking about trying to honour the people I live with, work with, admire, love, in what ways have our epistemologies, in what ways have our methodologies, in what ways have our discourses made the people I admire and love not only discursively invisible but politically irrelevant?

[My Dad, reading this over, was quick to point out that I was falling into the ditch of disrespect that I had already said I was going to try and avoid. Not much speaking to anyone as if they’re my grandfather here! Maybe there are other ways to talk about epistemology, methodology, discourses, or dichotomies. Maybe I’m so steeped in jargon that it’s going to take me a long time to reground myself. And even then, maybe I’m too fond of the wordy familiarity? I don’t know. I need to think about it for another while.]

What I’ve been looking at in my work are two themes; one is the theme of ‘enclosure’, the other is the theme of gentleness.

When I talk about enclosure, I’m talking about expansionary social dynamics that involve accelerative or intensifying commodification of everyday life, emerging from the dominance of the expectation that uncertainty can be or should be eliminated. What I’m looking at in my work is the way in which certain unhelpful dynamics of social change are driven by these tendencies we often have to eliminate uncertainty.

[Talk about wordy. Need I say more? Probably. What I was trying to say was that, for me, ‘enclosure’ is a word I use to talk about really unhelpful ways of relating to each other that we often fall into when we try too hard to eliminate uncertainty. I feel that we do that if we place too much value on control, or perfection, or purity, or truth, or righteousness, or status, or … many other values by which we try to convince ourselves that the elimination of uncertainty is not only possible, but also desirable.]

I work with the assumption that uncertainty is a constant and variable aspect of my experience. So to seek to eliminate uncertainty, for me, is to deeply disrespect the character of that experience. Historically, seeking to eliminate uncertainty has also often meant seeking to eliminate the aspect of emotion from our work. The idea of the ‘objective scientist’ is very much at the heart of this notion of the elimination of uncertainty. Often it very much involves simply eliminating people from our work, because people can be unpredictable and uncertain and keeping people and their biographies, keeping people and the richness of their lives away from the heart of our work (actually, the heartlessness of our work, sometimes) is actually a very, very interesting process for me.

[I remain astounded by the obviousness with which people producing folklore collections in the past have often sucked the people they worked with out of their collections of songs and stories. What we are often left with are pages and pages of songs and stories that could have been sung or told by anybody, to anybody, anywhere, at any time. I would hope that we don’t leave that impression for our children. We’re getting better at it, but silences, profound silences of absent humanity, continue to structure some of our most valued collections.]

But these enclosing dynamics, as I think of them, arising from the ‘elimination’ of uncertainty, for me they can be identified in two particular ways. One is in the dominance of discourses of resource production and management, and another is in the privileging of sight and sound in the discourses of our analysis.

[I need to work on this. It says what I would like to say, but it may not communicate what I would like to communicate. I hope what follows makes some sense. If you would like it to make more sense, you can always try to track me down and ask me to clarify something. I’ll do my best to keep it simple.]

In terms of discourses of resource production and management, just think of the ones that we use. ‘Heritage’ is a property metaphor. ‘Property’, that’s a property metaphor too. ‘Data’, ‘that which is given’. ‘Information’. ‘Knowledge’. ‘Capital’. ‘Resources’. Tradition as a resource. Etc. etc. etc. Most of the words that we use at the core of our work are resource metaphors.

Discourses of sight and sound tend to be privileged in what we do. We tend to talk a lot about aesthetics. We tend to privilege text. Again, the privileging of sight and sound. We tend to do a lot of surveillance work – that’s what we do, we monitor people, we go, we record, we monitor. And there tends to be a lot of emphasis on spectacle, on performance.

One of the consequences of the elimination of uncertainty as an ethic, or of discourses of resource production and management, or of the privileging of sight and sound, tends to be a profound depoliticisation of what we do, and of how we think about what we do, and of how we think about the possibilities of what we do. Primarily because what we’re left with, and this is what the orthodoxies of most fields are left with, is that our understandings of power are reduced to the idea of power as control, or power as intervention, but power as some form of resource production or management.

Also what tends to happen, particularly with regard to the privileging of sight and sound, is that there tends to be an emphasis on descriptive analysis, analysis that simply describes what’s going on, without really explaining how a situation happens to be the way it is and not some other way. Further, often without allowing for any participatory analysis, in terms of how might we be participating in the dynamics that we analyse?, or how might we be participating in the dynamics that we seek to critique?

As far as my interest in gentleness is concerned … what I’m interested in doing is not identifying what gentleness is, or what gentleness looks like. What I’m interested in looking at is the way in which the elimination of uncertainty as an ethic can draw us away from the possibilities of relationship.

If we only think of power as control then those who seek to control have power and those who do not seek to control are powerless. Those who seek to be gentle are powerless and are in fact irrelevant to politics.

What I’m interested in is the way in which the gentle people that I’ve worked with, the gentle people that I’ve admired and loved – in line with work in eco-feminism, in line with work in certain aspects of gentle anarchism, in line with aspects of certain Buddhist and quasi-Buddhist approaches to thinking about politics – these people are living deeply powerful lives. These people are living lives that we [folkorists] can learn from. And I think we are in a deeply privileged position. We get to talk to people as a job. We get to talk to people that we can learn from about what it means to be human.

And when I think about the archives that we have … When I go to a zoo it makes me sad, but I still keep going to zoos because I keep thinking that it’s a good thing to go to a zoo. But every time I go to a zoo I go with hope and aspiration, and I come back feeling very sad. Archives increasingly make me quite sad, because for me they’re records of missed opportunities. They’re records of missed opportunities for understanding what it means to be human. We’ve had a chance a chance to talk to so many wise people, historically speaking as folklorists, and we have so little wisdom in the archives. We have lots of stories and songs, but in terms of what it means to be human, the emotional intelligence, the emotional wisdom, the emotional university that has been there, we don’t have access to that, because we weren’t listening well enough, and I think that’s one of the opportunities that we have now, is to really privilege those aspects in our work and to not think of ourselves merely as archivists. I think archives are important, if we ground them in the social responsibility of reimagining the power of small emotions, reimagining that folkloristics is actually in a very privileged position. You have eco-feminism, you have activism, you have all these things, but we’re the ethnographers. We’re the ones who get to actually sit down and spend time to work out what do people think are helpful ways to make sense of being human. We can ground our work. We can substantiate our work. And for me that’s very much at the heart of the gentleness project.

I’m just going to stop there and open it up to the conversation.

Comment/Micheál Briody: First, Séamus Ennis’s comment that he was done with Colm Ó Caodháin. Yes, I’ve come across other comments like that, and there’s one interesting aspect in Delargy’s diaries when he’s finished his East Clare collection, it’s in the bag, it’s done with and over, but that’s partly due to the rushed nature of the collecting. When Delargy first started learning collecting he spent two years working with Seán Ó Conaill without collecting anything, just listening to him. He wasn’t ever able to do that with anyone else, just because he had his mission and he liked to collect so much. There was a much more humane approach originally before it became this sort of production stage, I would call it mass production folklore. That’s one thing. You get that a lot, and in Estonia in the 50s and 60s you get a lot of folklorists talking about ’emptying’ an area, sending out a team of collectors to ’empty’ it, and again you get that in Delargy’s report, emptying an area. It’s very much there. But, yeah, I think though, Delargy, to give him credit, he often said that the only experts on the folktales were the narrators, you know, and unfortunately he didn’t follow that through entirely because one thing he never got around to was sending out a questionnaire on storytelling. He intended sending out a questionnaire about storytelling but he never got around to it. There was a great deal of information collected, nonetheless, from many storytellers about the tradition and all of that, so he did … sometimes it was just lip service, but he always sort of humbly said they were the experts. Now maybe there was pretence involved to some extent but I think myself there was a gentle nature in him. I think there wouldn’t be the big collection without that, but it somehow got left aside because of the ambition of making a very large collection and then also of saving it, even if you might say emptying it, but, you know, in many cases if he hadn’t emptied it, despite what you say about archives being places like museums or zoos that are not so pleasant, if we hadn’t it you might be standing up here and saying, you know, why don’t we have archives, and zoos, and museums, so we can’t really have it both ways. But there is that absence of gentle approach, maybe.

A: Well I think what you’re saying is really, really important, in that most of us, pretty much all of us are in this field because we care about people, you know? And I think Delargy and Ennis and all of these collectors were doing what they did because they cared, they really cared. Perhaps they cared too much in some ways. And I think that for me is part of the challenge, that we get drawn in because we like spending time with people, we like talking to people, we value that aspect of what we do perhaps more highly than we value anything else. We value what we learn from these people as human beings. We value spending time with them. We don’t necessarily talk or write about those aspects of our work, instead we privilege the collecting aspect, but I think what we can learn from the likes of that experience that Delargy had where he goes from spending lots of time to spending very little time with people, is to become more aware and more discerning of the influence of institutional imperatives on the work that we do, and to clarify for ourselves what is actually important to us? Regardless of what the institutional imperatives are, what’s important to us as human beings, each for ourselves, and as we go in and do our work how can that be reflected in the work that we actually do?

Comment/Regina Bendix: It’s very nice that you’re able to talk like that. I would like to suggest context as a very important component of evaluating where our predecessors were. I mean that sort of sadness or frustration that you report about your students thinking about the nationalist paradigm of the nineteenth century, I have been helped a lot in doing historical work to recognise that they were also caught in whatever political or academic forces there are, and so the sadness or frustration is not as productive as recognising where individuals are caught. I think the connection between yours and the previous paper is very powerful as a recognition of allowing ourselves, in doing research, to recognise our body, our mind, our emotions. But the link that’s missing there is acknowledging that you’re not just researching or spending time with people, you’re also sitting in this highly institutional, regimented professional life. You’re little episode with Joshua Fishman, here you found a human who wanted you to talk ‘unprofessionally’, so to speak, and I think we have not done enough legwork in our own professional worlds, because our own professional worlds are the realm that is unexamined, are the realm which we slide into, and we appropriate its mores, and its pressures. And because we have not done enough of that kind of deconstruction work you feel isolated when you feel the way you do, maybe also the way Janika [Oras] feels, when you dare to come out and speak that way and act that way, the pressures around you … there are not enough of us who do this, you know? And as a result you get ‘fringed’ unless you participate also in the deconstruction of the professional life.

A: As I do, and that’s why, for me, pedagogy and radical pedagogy is actually very much at the heart of trying to challenge the institutional structures and the institutional values in the places in which I work. I align myself with social ecologists across the world more than anything else, and there is a growing community of people out there, even within university structures, that are doing work like this, that are privileging the human.

And I don’t have to be an academic. If I get too frustrated within the university structures, I will leave and do something else. I can always do something else. I will continue writing and I will continue researching. At the moment I find the university I’m in does facilitate the work that I want to do, and I hope that continues.

Comment/Valdimar Hafstein: Thank you for your talk which I found thought-provoking in many ways. The elimination of uncertainty you spoke about as an ethic and as a social program related to such things to coercion and violence and domination. I found myself being somewhat uncomfortable with this and think perhaps you’re not giving the elimination of uncertainty its due. There is another way of understanding the elimination of uncertainty, and that’s to do with such things as social security and the welfare society, in fact the elimination of uncertainty as an ethic, as a political and social programme has been the programme with the most powerful movement in western societies in the 20th century. The labour movement, its political arm, the elimination of uncertainty has been its programme to create a more decent and just society. And I think that it perhaps another aspect of the elimination of uncertainty that is under-acknowledged in the way that you present it.

A: In looking at movements like the labour movement, for example, for me, discourses of the elimination of uncertainty tend to pervade most political movements. Although I think it’s important to make a distinction between the provision of stability and the elimination of uncertainty. Because the elimination of uncertainty can never happen, as far as I’m concerned. It’s a discursive claim, it’s a claim that people make about what happens. In terms of the welfare state and those sorts of political achievements, in a sense, that’s about the provision of stability, the reduction of uncertainty in often crisis situations. The reduction of uncertainty or the provision of stability for me are quite different from the elimination of uncertainty, which tends to be a[n unsustainable] discursive claim about the way the world is, a declaration that this is reality, and what is and must be in terms of how we think about reality. So I think what you’re talking about are very helpful in many respects, but I would also suggest that in those political movements, if you look where people are claiming the elimination of uncertainty rather than the reduction of uncertainty, you are likely to find very unhelpful dynamics around those aspects of what they do.

Comment/Kristin Kuutma: I would think there is still some hope in the human encounter with the folklorist and the people that they meet because very often there is quite a long interaction and very often the people that folklorists talk to they kind of are indoctrinated into this process of creating wisdom, so they are inside this process. This is a different kind of wisdom, but they know what the folklorists might know, or if the interaction is long enough the folklorist has explained what he or she is looking for so the person talking to the folklorist gets a certain status from being inside this process and producing the knowledge for the folklorist, as they take it down, record it. So there is another side to it as well, whether we ask them what they personally think about things, but I’d say there is a positive side to it as well.

A: I think there’s a positive side to any two people being in the same room together even if they’re hating each other. In thinking about this, I am thinking from a deeply hopeful perspective, and for me hope works better when it’s here, rather than somewhere else that you’re aiming for. I think the mere recognition and acknowledgement of the lives of people who have experienced what might be described as marginalization, or have felt as if they are in situations of oppression, or felt like nobody listens to them any more, that nobody cares about what they care about, these people that we live with and work with, I think it’s very, very important that the mere acknowledgement that they exist and that somebody wants to listen to them is a very positive thing. I don’t think it’s enough. I think that any status that might be accrued from that for them is a very small gift, as far as I’m concerned. I think we can be far more respectful, even in that. I do wonder … at the moment one of my big questions is, is it more respectful for me to visit people and not record anything they say? It’s a very serious question for me. I think of Delargy and his two year visit. Maybe we can be professional friendly people in a true sense, with the powerful character of friendship and relationship that we can bring with ourselves. But there are a lot of interesting things going on there.

Comment/Diarmuid Ó Giolláin: Do you think you can make distinctions between different disciplinary traditions there. It seems to me, for example, that at least the stereotypical folklorist in the last couple of generations as someone who goes in search of particular genres, say, and who perhaps in a sense scratches the surface, and on the other hand the anthropologist who tries to delve deeper, seeking social structures and so on. Often with the folklorist there’s a sort of exaggerated pietas to the tradition, with the anthropologist … there have been a couple of cases in Ireland where the anthropologist was the one that caused the most problems. I’m thinking about that highly respected book by Nancy Scheper-Hughes called Saints, Scholars, and Schizophrenics. I mean, can you elaborate on that perhaps?

A: For me it’s a question of what’s more important, the disciplinary boundaries, methods, narratives, or making use of the privileged positions we have to make sense of what it means to be human. For me, the second is more important. I am in a privileged position, I am a professional thinker, I get paid to teach, which is the most wonderful opportunity that anyone can have on a daily basis, and I get to research what I want to research, which is not what everybody gets to do, particularly in the current research environment. But I have a chance to try and make sense of my own experience in a way that I think can help me towards more helpful relationship, in the sense of what’s going on. This for me involves both a critique of unhelpful dynamics in the world, or in my experience, and a reconstructive approach to relationship. And wherever I can find disciplinary help in terms of peopled, heart-filled, respectful ways of thinking, whether in anthropology or in social ecology or in folkloristics, wherever I can find them, I’ll try and use them, and see to what extent they work or do not work depending on the epistemological grounding that they come from. But at the end of the day I do regard myself as being in a privileged, institutional position at the moment, which facilitates the kind of work that I want to do and wherever I can find it, in whatever discipline I can find helpful support for that, I’ll go there and I’ll look to that. I’m more interested in inviting the idea that we can think about what we do and say, okay, we’ve got where we are, we’re in a position, we’re professional thinkers, how can we act most helpfully in the world as human beings, while still doing what’s important to us, while still doing things we care about?

Comment/Diarmuid Ó Giolláín: It’s not a romantic search for community?

A: No, not at all. Because that potentially leads us back to eliminating uncertainty through the utopian imagined community. For me community is expectational resonance, it’s the sense that you can have with anyone at any time to some extent, but also conflict as expectational dissonance that’s always present too to some extent. It’s about being more discerning of the conflict and community opportunities that are available to us at any particular time, being aware that at all times there are traps of romantic communalism, traps of arrogant academicism, and so on.

[Déanaimis teangmháil. Let’s connect. I find that hard sometimes. I’m still pretty shy, and meeting new people still takes quite an effort. Disconnecting is easier. And harder.

Why don’t I just leave all those people alone?
Why don’t I just stay at home and read?
Why don’t I just let all that stuff go? I’ve already got too much stuff in my life; too many books, too many things; why don’t I just let it all go?
Why do I have to remember everything? Why do I have to write down everything other people remember? Why do I have to even bother talking to people?
Is my desire to collect greater than my desire to respect?
Is my desire to record greater than my ability to just be present with people?
Is my desire to write greater than my desire to listen?
Is my desire for knowledge, money, and status greater than my desire for wisdom?]

Epilogue:

Bhí Mé Réidh Leis (a folklorist who cared).
Anthony McCann, 2013.

Bhí mé réidh leis,
Séamus the Folklorist wrote in his diary,
and left, off on his bicycle,
Leather satchel bulging at the seams,
off to the next
National Treasure
by the sea,
near a field
without a cow.

Bhí mé réidh leis.
Too easily translated as
“I was finished with him.”
Time spent.
Proverbs listed.
Songs recorded.
Stories transcribed.
Tunes notated.
Resources extracted.
Surveillance completed.
Primary target acquired.

Primo Levi once wrote:
“To give a name to a thing
is as gratifying
as giving a name to an island,
but it is also dangerous:
the danger consists
in one’s becoming convinced
that all is taken care of
and that once named
the phenomenon has also been explained.”

Double danger
When naming people.
When watching people.
When describing people.

Triple danger
When making a good living from
Naming people
Watching people
Describing people.

Bhí mé réidh leis,
Séamus the Folklorist wrote in his diary.
He could have meant
“I was ready with him,”
and stayed.
To talk like neighbours.
To keep good company.
To be with.
To sit in silence.
To chat about those near and dear to him.
To share a cup of tea.
To wile away the hours
Where words matter less
than the heart that dances.

I wonder if
Séamus the Folklorist
ever wished
(as he cocked his leg over his bike
and wiggled his bum
and uilleann pipes
into position for the rocky road)
that he was carrying
a leather satchel bulging at the seams,
chock-full of the sparkling delights of
proverbs unlisted
songs unrecorded
stories untranscribed
tunes unnotated.

For, in truth, he loved that man.
And sometimes
just sometimes
it didn’t feel right.

And sometimes, late at night,
He would stay behind
After a paperful day
And walk through the stacks
Drenching himself in the names
of old friends, dear friends,
Showering himself in half-glances
warm cups of tea
a devilish drop of poitín
a dirty joke
And a broad choir of grins.

And in the light of morning
In office hours
At the start of another paperful day
while walking his fingers through
the cabinet of the card catalogue
for references to “Na Ceannabháin Bhána”
He would again feel a stirring of regret
that there was no card for “love”.